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Large antique Turn-of-the-Century stained window glass panel that comes with its original wooden frame. The center is composed of an oval made with clear glass held by lead. A blue garland of flowers that ends with bows on each side divides the oval. Glass stained in multiple shades of pink, ochre and caramel are ornamented with additional stylized flowers and bows that allows a diffused lighting to emanate. The panel frame is made of solid wood with all original parts. Stained glass dimensions: 9"L x 7"H. Wood panel size: 12.75"L x 11"H x 1.50"W. Issued: Late 19th-early 20th centuryCondition: Age related wear. Three minor cracks on the lower part.

Large Tiffany style chandelier made of leaded and stained glass. The upper part glows with a light caramel-butter shade and the lower part is made with botanical designs of scarlet red, hunter green, orange, lavender, and light beige. The chandelier glows with one central light holder. Chandelier dimensions: 15"H x 24 dia. Chain length: 14'ft. Cord length: 19'ft. Issued: 20th centuryCountry of Origin: United StatesCondition: Age related wear.

This charming ornament resembles a log cabin-style chapel decorated with stained glass windows, a red roof, and purple trim and steeple. Issued: 1997Dimensions: 3.5"L x 3"W x 6.5"HManufacturer: Christopher RadkoCountry of Origin: PolandCondition: Age related wear.

Vase, Johann Loetz Witwe, Klostermuhle | height: 22 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that can be seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.More photos:https://drive.google.com/drive/folders/1uWgQV1zMg-BMQUpnm6SvcaP3k1scXzUs?usp=sharing_________________________________________________________  

Vase, Johann Loetz Witwe, Klostermuhle | height: 16 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that can be seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.

Vase, Johann Loetz Witwe, Klostermuhle | height: 22 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that can be seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.

Vase, Johann Loetz Witwe, Klostermuhle | height: 9.5 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that can be seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.

Bowl, Johann Loetz Witwe, Klostermuhle | height: 7.5 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that cn bee seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.

Vase, Johann Loetz Witwe, Klostermuhle | height: 20 cm | etched cameo glass | 1920s | marked "Richard" | Loetz produced cameo glass under the "Richard" brand in the 1920s to meet the demand for cameo glass in the Paris market | Art Nouveau work by Richard Burgsthal for the Loetz glassworks between 1920 and 1929. Richard Burgsthal (René Billa) was a musician, a painter and a master glassmaker. He produced stained glass windows that can be seen in the Abbey of Fonfroide and the cathedrals of Carcassonne.More photos:  https://drive.google.com/drive/folders/1lFMj_8ePfOwJVx_Fljk6f83pQGTCZiTJ?usp=drive_link _________________________________________________________

Pair of antique stained glass panels from Dalhousie castle Bonnyrigg Edinburgh owned by earl of Ramsay

Edwardian display cabinet, the gallery top above a stained glass door opening to shelved interior, raised on square legs [125x58x37cm]

Arts and crafts bookcase, the back rail above two stained glass glazed doors opening to shelved interior, raised on bracket feet [134x117x32cm]

Lot of four pretty ampoules in stained glass From left:  cm 16x8 cm 24x10 cm 11,5x9 cm 19x9 Including:Yoichi Ohira (1946-2022)Violetta (La Traviata), Opera collectionFlaws. Missing a flower to the cap 

A VICTORIAN SILVER RECTANGULAR INKSTAND JOHN GRINSELL & SONS, LONDON 1898 With as gadrooned border, a pierced scroll gallery, a pen tray, two cut glass inkwells with silver covers, engraved 1899 and an armorial, on four paw feet 25.5cm (10in) diameter 641g (20.6 oz) weighable Condition Report: Marks are clear Engraving crisp Stands well Hinges to bottles good Minor chips to the glass, one inkwell stained Light scratches and wear commensurate with age and use Condition Report Disclaimer

Two pieces of stained glass leaded panelling, largest 38 x 31 cm

A pair of pastoral scenes in stained glass, with later metal framework, each scene comprising two panels each panel approximately 210 x 54cmGeneral condition good, repairs to 2 panes with lead, one further pane cracked as per attached images

Jewellery - a Chinese Dragon pendant with green jade effect glass back, stained horn and other pedants, necklaces, brooches, rings, North African/Bedouin white metal cuff bangle etc

Thomas George Bowman, After Sir Edward Coley Burne-Jones, watercolour of the stained glass design for the West Window, St Phillips Church, Birmingham. Framed and glazed. H.63 L.32cm

19th century pitch pine panel, decorated with quatrefoil motifs (58cm x 41cm); 19th century window panel with stained glass panes (83cm x 46cm); early 20th century oval mirror in red lacquered and chinoiserie decorated frame (83cm x 54cm); stained and leaded glass window pane in pine frame, decorated with female figure in landscape (65cm x 73cm); 19th century beach ladder back chair; two gilt framed wall mirrors (7)

A vintage vanity set, 1 handheld mirror and three trays, created to imitate white stained glass with pink flamingos. Handheld mirror (4"W x 11"H x 0.5"D). Tray 1 (5.5"L x 3.25"W x 3.75"H). Tray 2 (5.5"L x 3.5"W x 3.75"H). Tray 3 (3.25"L x 3"W x 3.75"H). Condition: Age related wear.

2 desk organizers, 2 hinged covered jewelry boxes, and 1 moon-shaped wall decor. Each piece is created to imitate stained glass. Green desk organizer (8.5"L x 4.75"W x 6.5"H); blue desk organizer (5"L x 5"W x 5"H); diamond-shaped covered box (5.5"L x 3.75"W x 2"H); rose covered box (3.75"L x 3.25"W x 1.5"H); and moon wall plaque (7"W x 13"H x 0.25"D). Condition: Age related wear.

Rare intricate artistry of Antip Kuzmichev, a renowned Russian silversmith of the 19th century. The kovsh, a traditional Russian drinking vessel, along with the accompanying spoon, is adorned with champleve and plique a jour enamel work, which creates a stained glass-like effect in the metal. It is engraved with the Kokoshnik mark, indicating the silver purity of 88 zolotniks equivalent to 91.6% pure silver, the Moscow city mark, the region of where it was assayed and artisan E.W.P symbol. Artist: Antip KuzmichevIssued: 1890Dimensions: 6.5''L x 3.25''W x 4.25''HCountry of Origin: RussiaCondition: Age related wear.

Inspired pieces bases on the original stained glass windows created by Marc Chagall for the Synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem. Each representing the twelve sons of Jacob. Plus an extra Zebulun. Extensive details on the reverse side. 1 plaque: 7.75"W x 9.5"H x 0.25"D. Artist: Marc ChagallManufacturer: AvissarCountry of Origin: IsraelCondition: Age related wear.

An early 20thC stained leaded glass panel, 84cm x 38cm.

A small Tiffany style lamp, with stained glass shade and bronze effect base, 34cm high.

A leaded glass terrarium, the base with purple marbled stained glass panels with an arched roof, 65cm high, 46cm wide, 39cm deep.

A PAIR OF VICTORIAN STAINED AND ETCHED GLASS WINDOWS SECOND HALF 19TH CENTURY Each depicting a maiden within a floral decorated lancet, inscribed 'Industry' and 'Commerce' respectively, in pine frames each 153cm high, 62cm wide (including frames)

Three 20th century wooden framed stained glass cabinet doors, largest 80 cm x 150 cm overall

A Danish blond oak dresser with stained leaded glass cabinet doors, width 152 cm x 44 cm deep x 180 cm high

Tiffany style - A 20th Century small tiffany style table / bedside lamp of square form having stained glass pattern to panels, upon a square footed base with shaped finial top. Measuring approximately 39cm tall. 

Halcyon Days Enamels - A collection of ten late 20th Century Halcyon Days Enamels Christmas boxes ranging from 1990 - 1999, all in original red hard boxes and certificates of authenticity. To include; Christmas 1990 depicting Good King Wenceslas carol, Christmas 1994 depicting Santa Claus on a sleigh handing out presents, Christmas 1995 depicting various presents, and Christmas 1998 depicting stained glass church windows, amongst other examples. 

Tiffany style - A 20th Century tiffany style bistro desk / table lamp of domed form having green and red stained glass. The base with leaf detailing and decorative shaped finial to top. Measuring approximately 47cm tall. 

A pair of square leaded stained glass wall lamps of squared form, each measuring 13cm high, 27 x 27cm.

A 1940s Pery Watch Co. yellow metal (tests as 9ct) manual wind timepiece set within an engine turned linear design lipstick case. The case engraved with monogram, pull out to reveal dial, slide to reveal lipstick. (watch face stained, no hands, no glass, mechanism rusted and not working, winder missing.) Screw to the back of holder missing. L.7.5 W.1.2 D.0.8cm Gross weight 55.18g. Gold weight (lipstick case) 23.56g.

A PAIR OF AMERICAN TIFFANY STYLE TABLE LAMPS WITH STAINED GLASS SHADES (2)Late 20th Century With column supports on gadrooned square bases, with marbled stained glass leaded shades, fitting signed 'Kaeder', 66cm high including shades

A STAINED PANELLED OAK AND GLASS THEATRE BOOTH105cm wide; 99cm deep; 195cm high

A late 19th / early 20th century stained glass panel, width 48cm, height 164cm

Tiffany style lampshade with stained glass surround. Approx 37cm wide x 19cm high

Five stained glass window panels, the largest 73 x 50cm overall

A 20th century Liberty style Arts & Crafts writing desk with leaded stained glass doors, three drawers and hinged fold-out baize-lined writing surface, 65 x 40 x 140 cm h

A collection of modern stained glass

A heavily carved late 19th century Continental oak buffet, having a stained glass lead panelled door, the base with single drawer and cupboard, flanked by masks, 91x53x236cmH

A large wrought-iron and yellow stained glass candle stand wall panel, with allover pierced scrolled decoration and central candle holder panel, 74x124cm

Jewellery - a Chinese Dragon pendant with green jade effect glass back, stained horn and other pedants, necklaces, brooches, rings, North African/Bedouin white metal cuff bangle etc

A leadlight stained glass lamp shade, 19cm, a brass table lamp with cherub support, and 3 others

An early 20thC leaded stained glass lantern, of square form, in green, orange and yellow, 30cm high, another stained glass lantern. (2)

A painted metal framed stained glass window overall 46 cm x 52 cm

Three stained-glass windows, largest 43cm x 30cm.

A Collection of Various 19th Century and Later Items to Comprise Brass Shoe Ornaments, Art Nouveau Stained Glass Panel, Soda Syphon, Cast Iron Press Weight, Bronze Pot etc (Various Condition)

A figural decorated desk lamp with stained glass shade

Early 20th Century School, watercolour, A design for a stained glass window, Chepstow, dated 1933, framed, mounted, and under glass, measuring 35cm x 52cm, & 55cm x 72cm overall

Stained beech table top collector's cabinet with 4 glass shelves, 57.5 x 32.5 x 21.5cm overall; glass dome on a wood stand, H.34cm, and a larger dome, H.37cm, (both a/f). (4)

A Tudor Oyster Royal WristwatchCase with surface scratches, case with minor dents in parts, plexi glass with scratches and cracks, crown is not screwing down onto the threaded tube correctly, later and buckle, dial is discoloured and stained in parts, hand setting correctly, winding smoothly, movement in going order.

Framed mirrors with stained glass plus glass sections.

SHAW P. J. (Ed).  An Old York Church. All Hallows in North Street, Its Medieval Stained Glass & Architecture. Ltd. ed. 38/500. Subscriber's list, etched frontis, col. title & plates & other plates & illus. Folio. Rebound qtr. red morocco. York, 1908; also 2 other vols.  (3).

Late Victorian stained and painted glass window with central bird medallion, 59cm x 86cm high overall

Late 19th century leaded stained glass and metal framed bell lantern, 21cm x 19cm x 35cm high, together with a pink plaffonier with floral decoration (2)

A circular chest of drawers, together with a jardinière stand with stained glass top raised on stick supports diameter 16ins 

A contemporary abstract stained glass panel. In shades of blue, purple and gold. Framed. 62cm x 56.5cm (overall).No condition issues, additional images online.

An Edwardian oak hall stand. The mirrored back with a stained glass panel above a lidded glove compartment flanked by umbrella holders with removable drip trays, height 198cm, width 83cm, depth 28cm.Heavy wear, staining and scratches in the most used areas. The back stand is leaning forward slightly at the top and evidence of historic worm which appears to be no longer active.