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Click here to subscribeA Jaeger-LeCoultre Atmos clock, C.1970s, Caliber 526-5, serial no.432926, the gilt-brass case with spirit level in base, the circular blue enamel chapter ring with alternating Arabic numerals and dagger markers, 22.3cm high, 17.8cm wide, 13.5cm deepPlease note that Roseberys do not guarantee the working order of any timepiece.
A collection of treen items, comprising, a pair of maple and bone nutcrackers, mid-19th century, possibly French, with a screw-action, a ball handle, and a bone collar, 15.5cm long, a boxwood foot measure 23.5cm closed, an ebony and brass quill cutter 10.5cm long, a mahogany and brass spirit level, 15cm long, together with a faux tortoiseshell thermometer, mid 20th century, of obelisk form, 15.5cm high, a further wooden thermometer 23cm high, an Edwardian tape measure, modelled as a musical box, 5.5cm wide, a further example modelled as a girl wearing a bonnet and holding a posy 7cm high, a set brass of grain weights 1-2cm wide, a magnetic sundial compass 5.2cm diameter, and a Victorian mahogany travel compass, 8.5cm squareProvenance: The Collection of the late Rosemary and Theo Cutting.
The "Portiere of the Chariot of Triumph," also known as "The Triumphal Procession of Alexander the Great," is a remarkable piece of ancient art created during the late 15th century. It is a tapestry, not a sculpture, and is renowned for its intricate design and historical significance. Here are some key details about the "Portiere of the Chariot of Triumph":1. **Origin**: The "Portiere of the Chariot of Triumph" is a tapestry that was created in Brussels, Belgium, around 1470-1490. It is part of a group of tapestries known as "The Triumph of the Seven Virtues," and it is considered one of the masterpieces of Flemish weaving.2. **Subject Matter**: The tapestry depicts a grand procession led by the figure of Alexander the Great, the renowned ancient Greek king and conqueror. The scene is a celebration of his military achievements and victories.3. **Design and Details**: The tapestry is celebrated for its intricate design and attention to detail. It features numerous figures, animals, and elements that represent the opulence and splendor of Alexander's conquests. The central focus is on the chariot of Alexander, drawn by four horses, and Alexander himself is shown in a triumphant pose.4. **Historical Significance**: "The Triumphal Procession of Alexander the Great" reflects the fascination with classical antiquity and the revival of interest in ancient Greek and Roman history and art during the Renaissance. It captures the spirit of humanism and the celebration of great historical figures from the past.5. **Purpose**: Tapestries like this one were often commissioned for wealthy patrons, nobility, or even royal courts. They served as status symbols and were used to decorate the interiors of palaces and grand residences. They were also functional, providing insulation and helping to maintain a comfortable temperature in large stone buildings.6. **Preservation and Display**: The "Portiere of the Chariot of Triumph" is a significant artifact in art history. Today, it is housed in various museums and collections. Some parts of the series can be found in the Vatican Museums, while other sections are held by institutions such as The Cloisters in New York City.7. **Artistic Excellence**: The tapestry is an example of the skill and craftsmanship of Flemish weavers during the Renaissance period. The level of detail, use of color, and composition demonstrate the high artistic standards of the time."The Portiere of the Chariot of Triumph" is not only a beautiful work of art but also a testament to the Renaissance fascination with classical antiquity and the desire to celebrate and emulate the great figures of history. It remains a valuable piece of cultural heritage, showcasing the artistic achievements of the Flemish weaving tradition during the late 15th century.Measures 39.5 x 52.5.Cotton.
A LIMITED EDITION E. DENT & COMPANY LIMITED RE-CREATION OF THE CONGREVE ROLLING BALL CLOCK, limited edition no. 29/ 150, inscribed on name plate to the back F.R. Cooper 1973, in a rectangular Perspex case and on marble base, case height 45.5cm x width 49cm x depth 37cm, comes with key, brochure and other related correspondence (Condition Report: piece of brass moulding from along the front of the top of the case is loose and incomplete, the case shows damp spots to the interior, the clock lacks the ball and so is untested, small spirit level in front left corner of case, paperwork is slightly creased / grubby)
Launched in 1998, the Arnage was manufactured in Crewe from 1998 to 2009 with its Rolls-Royce sibling, the Silver Seraph, introduced in the Spring of 1998. They were the first entirely new designs for the two marques since 1980 when the Silver Spirit and Mulsanne models were introduced. The new Arnage (Green Label) was to be powered by a BMW V8 engine with Cosworth-engineered, twin-turbo chargers and the Seraph was to employ a BMW V12 engine. The Arnage Red Label was launched in October 1999 with the engine reverting back to Bentley power using the traditional V8 engine and a displacement of 6750cc. As part of the modification process, both Red and Green Label cars benefitted from expanded leg room in the cabin, stiffer bodyshells and larger wheels and brakes. The Red Label models were replaced in 2002 by the Arnage R.Originally registered on 19th September 2002, this Bentley is finished in the delightful colour combination of metallic blue with beige leather interior. To be expected of such a prestige marque, the level of equipment in this Arnage R includes electric memory seats, air conditioning and cruise control. During his ownership the fastidious vendor has spent significant amounts, ensuring this Bentley is maintained to a very good level. Work carried out over the last couple of years includes, new H.T. leads, new suspension bushes and ball joint, four new tyres and general servicing work. The Arnage R with the Rolls-Royce 6750cc V8 engine is a superb vehicle to drive with seemingly endless power. Ample leather and walnut wood contribute to making the passenger area a great place to be. Supplied with a V5C registration document together with a current MoT test certificate valid until 4th July 2024. A great luxury tourer which oozes opulence but has terrific performance to match. Consigned by Stewart Banks. IN THE LASTCOUPLE OF YEARS THIS CAR HAS HAD NEW SUSPENSION BUSHESNEW TYRES AND GENERAL SERVICING WORKPRESENTS IN GOOD ALL ROUND CONDITION
A cased Ten-Thousandths Micrometer by L.S. Starrett, USA, another loose example, a heavy brass-mounted hardwood spirit level, two cased Sikes Hydrometers, cased precision weight by Alb. Rueprecht & Sohn, Wien, a small collection of marbles, glass paperweight advertising H.W. Aitken Co., Glasgow, Modern Sugar Machinery Agents etc. Condition Report:Available upon request
Jaeger-LeCoultre, Atmos V mantel clock. Circa 1960s, Caliber 526-5, serial no. 217980, the gilt-brass case with spirit level in base, the circular white enamel dial with alternating Arabic numerals and dagger markers, in fitted travelling case, instruction booklet and original Walthams guarantee from 1967. H22.5cm x L18cm x D13.5cm. Condition Report: Appears to be functioning but would benefit from a service.
SMK PP 700W 'Green Grip' .177 air pistol, with additional high-quality black hard resin 3D printed permanent stock with adjustable comb and butt, an ESS LNB 32mm red dot scope with spirit level, an Airforceone bipod, a Huggett Atom moderator, a bespoke Terry Robb moderator Green Grip adaptor, service pack and documentation, original Green Grip and fixings included, original box.Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Bradleys Antique Packing Services for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/
AN INDIAN TEAK MODEL OF THE QUTB MINAR 19TH CENTURY AND LATER The modern upper three tiers added in poplar, together with a 19th century photograph of the tower, marked and numbered Saché 133.B, mounted framed and glazed 251cm high overall Provenance: Christie's London, The Manor House at Clifton Hampden, the Collection of Christopher Gibbs, 25-26 September 2000, lot 137 Christie's London, An Adventurous Spirit: An Important Private Collection Sold To Benefit A Charitable Foundation, where purchased by Count Manfredi della Gherardesca, 13 December 2018, lot 62 (where upper three sections were added) Literature:J. Musson, 'The Manor House at Clifton Hampden, Oxfordshire: The home of Mr Christopher Gibbs', Country Life, 26 October 2000, fig. 6. This model represents the red sandstone tower, the Qutb Minar in Delhi, built in 1193-1230 for Qutb-ud-din-Aibak, the first Sultan of the Delhi Sultanate, to commemorate the victory of Islam over the infidel, as illustrated by the decorative carving adorning the walls 'to cast the shadow of God over both east and west'. When sold from the collection of Christopher Gibbs, this model was initially depicted as it did prior to the rebuilding of the upper stories by Firoz Shah between 1288-93. More recently, the late owner of this model commissioned the upper stories to complete the model to reflect the tower as it was when painted by an annonymous Delhi artist in c. 1830 (British Library, Ms. Add. Or. 4034). The painting shows what was then considered a controversial cupola added in 1828 by the garrison engineer of Delhi, Colonel Robert Smith, who was tasked with the restoration of some of the Mughal monuments including the Red Fort and the Jami Masjid. The cupola was taken down in 1848 as it did not match the Sultanate structure under the instructions of Viscount Hardinge, who was the Governor General of India. It was reinstalled at the ground level to the east of the Qutb Minar where it has become known as 'Smith's Folly'. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The later top section detaches easily- and breaks down into smaller sections. Earlier part breaks down into two sections with central concealed screw fitment- it looks to have been cleaned and polished subsequent to acquisition at the Gibbs sale. Original base section approximately 160.5cm high and its base approximately 38cm wideSome shrinkage flaws- mild edge wear- base with some small knocks and wear around base edge Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection Condition Report Disclaimer
Seamus Heaney Signed, The Spirit Level (Faber & Faber, 1996). Signed (and dated - 8/vii/98) by Seamus Heaney on title page, also on page 21 at the end of 'St Kevin and the Blackbird'. Light edge wear to covers with crease mark to top right corner and bottom centre. Also top right corner of p. 21 folded down. This was Heaney's first book of poems since he was awarded the 1995 Nobel Prize for Literature.
Seamus Heaney, District and Circle, Faber & Faber, 2006, 1st edition, 1st printing, hardback in dust jacket with mylar cover, as new unread condition. Seamus Heaney, The Spirit Level, Faber & Faber, 1996, 1st edition, 1st printing, hardback, in excellent condition. Seamus Heaney, Jan Kochanowski Laments, Faber & Faber, 1995, 1st edition, 1st printing, hardback in dust jacket, very good condition. Seamus – A Bibliography 1959-2003, Faber & Faber, 2008, 1st edition, 1st printing, hardback in dust jacket, in excellent condition. Louis MacNeice, Selected Poems, March 1940, Faber & Faber, 1st edition, 1st printing, hardback, very good condition. Kieran Furey, Vile Verse, 1985, signed by author, 1st edition, softcover, as new. (6)
λ A VICTORIAN ROSEWOOD MANTEL CLOCKBY FRODSHAM, LONDON, MID-19TH CENTURYthe brass, eight day, twin fusee movement with a rare type of pin pallet escapement, repeat mechanism and striking on a gong, the backplate inscribed 'ARNOLD, Chas. Frodsham, 84 Strand, LONDON, 651', on a silvered dial with black Roman hours and spade hands, inside scrolling foliate spandrels, inscribed 'Arnold, 84 Strand, LONDON, 651' above a date aperture, the five pane case with a spirit level set into the top, a fluted cornice, ogee moulded and stepped plinth and brass flattened bun feet, with pendulum, together with a later mahogany stepped bracket (2)clock 31.8cm high, 23cm wide, 17cm deepCatalogue NoteAlthough the name 'Arnold' appears on the dial, it is probable that this is a Frodsham clock, John Roger Arnold having died in 1843. 84 The Strand, originally a coffee shop, was purchased by Arnold by 1821 and, on his death, was bought by Charles Frodsham. However, Frodsham continued to use the name 'Arnold', together with his own name, on all the items produced by the shop until around 1858, when Frodsham stopped using Arnold's name on his products.
FIVE BOXES AND LOOSE SUNDRY ITEMS, to include a sarcophagus form tea caddy, a brown rotary telephone, a cased boxed Voigtländer Vito Automatic 35mm camera, a cased Voigtländer Vitoret D 35mm camera, twelve chisels, a spirit level marked 'Glass Developments Ltd, Brixton, London SW2', a Wild Heerbrugg technical drawing set, a sewing basket and contents, two mid twentieth century clear plastic candleholders, a Jolly Gentleman moneybox, etc, These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history (5 boxes + loose) (sd)
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