We found 12813 price guide item(s) matching your search

*JULIAN OPIE (b. 1958) 'We Swam Amongst The Fishes'signed and numbered 93/160 in black marker verso, screenprint on spray finished block in colours, printed by Advanced Graphics, published by the artist, London, 75cm x 70cm x 2.5 cm (unframed)Overall dimensions: 75cm x 70cm

ADRIAN WISZNIEWSKI (SCOTTISH b.1958)  NEWLEAFLAND (S.ISLAND)  Screenprint, signed lower right, numbered 2/40, 74.5 x 57cm  Title inscribed to label verso Please note: Full VAT is payable on the hammer for this lot. Condition Report:Available upon request

ADRIAN WISZNIEWSKI (SCOTTISH b.1958)  LITTLE PITCAIRN  Screenprint, signed lower right, numbered 2/40, 74.5 x 57cm  Title inscribed to label verso Please note: Full VAT is payable on the hammer for this lot. Condition Report:Available upon request

EDUARDO PAOLOZZI (SCOTTISH 1924-2005)  FROM MOONSTRIPS EMPIRE NEWS  Screenprint, 37 x 24.5cm  Together with a similar by the same hand (2)  Condition Report:Available upon request

Outback is an original screenprint on paper by Aboriginal artist Sally Morgan who used multiple stencils of bold and vibrant colors to express her feelings for the Australian land and its life forms. Signature in graphite on lower right: Sally Morgan. Edition number on lower left: AP. Title in lower center: Outback. Housed in a cobalt blue frame with a white mat. Sight size: 12"L x 10.75"H. Frame size: 19.25"L x 18"H x 1"W. Artist: Sally Morgan (Australian b. 1951Issued: 1989Edition Number: Artist Proof from an edition of 95 Country of Origin: AustraliaCondition: Age related wear.

THE IRON GIANT (1999) - Hand-Numbered Limited Edition Variant Print by Kilian Eng, 2016Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition screenprint issued in 2016 by Kilian Eng for Brad Bird's 1999 animated sci-fi film The Iron Giant. This print, hand-numbered 69/100, was commissioned by a private poster collecting group and never made available for sale to the general public. Offered here is the Variant edition, printed using a 9 colour silkscreen, which trades out the vibrant sunset of the regular edition for a darker, nighttime palette.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #69/100Condition: Near Mint+Artist: Kilian Eng£200 - 400VAT Status: M

A CLOCKWORK ORANGE (1971) - Hand-Numbered Limited Edition Variant Print by Oliver Barrett, 2019Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. In 2019, Mondo released a couple of prints by artist Oliver Barrett honouring the work of celebrated director Stanley Kubrick. This Variant orange edition screenprint for A Clockwork Orange (1971) features an unnerving angle of Alex (Malcolm McDowell), leader of the sadistic Droogs, staring down at you. It also has the addition of his phallic Droog mask (which he is not wearing in the Regular style). This example is hand-numbered 88/150.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #88/150Condition: Near Mint+Artist: Oliver Barrett£150 - 300VAT Status: M

PINK FLOYD - Limited Edition The Division Bell Print Signed by Artist Storm Thorgerson, 2001Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition screenprint of Pink Floyd's cover artwork for their album, "The Division Bell". The artwork was created by graphic designer Storm Thorgerson, known for his many previous collaborations with Pink Floyd and his work with other bands, including Led Zeppelin and Black Sabbath. The print shows two large stone heads positioned together in a field in Cambridgeshire. Metal versions of the heads were also constructed and are seen on the main album cover. However, as Pink Floyd liked both versions, the stone heads appeared on the album's cassette cover and within the band's tour brochure. Mounted on board, the 21-colour silkscreen is printed on Somerset UK white textured paper, is numbered 52/295 and is signed in pencil by Thorgerson.(Mounted): 25.75" x 33.5" (65 x 85 cm)Additional Information: Signed by Storm Thorgerson and hand-numbered #52/295Condition: Near MintMounted on board.Artist: Storm Thorgerson£800 - 1600VAT Status: M

THE GODFATHER PART II (1974) - Signed and Hand-Numbered Limited Edition Print by Laurent Durieux, 2015Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition screenprint issued in 2015 by Laurent Durieux for Francis Ford Coppola's 1974 Mafia epic, The Godfather Part II. The art print is hand-signed and hand-numbered #92/375. It beautifully presents a young Vito Corleone contemplating what the future may bring as he sits on the deck of the steamship as it approaches New York City, with the Statue of Liberty in the background.24" x 36" (61 x 91 cm)Additional Information: Signed and Hand-Numbered #92/375Condition: Near Mint+Artist: Laurent Durieux£200 - 400VAT Status: M

THE TERMINATOR (1984) - Signed, Dated and Hand-Numbered Timed Edition Print by Tyler Stout, 2020Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Released by the artist Tyler Stout as a private commission in 2020 and only available to order for one day (24th September), this seven-colour screenprint looks spectacular. Unmistakably a Tyler Stout offering, the artist has hand-signed, dated and numbered each print (#2262/3600). A labour of love for the artist who worked on all aspects involved in bringing this to print, from design, colour combinations, and even obtaining the publishing rights. Stout had this to say about the project: "I've found it works best to do stuff for movies you're a fan of, movies that have stood the test of time, that are considered classics, stuff that inspires you."24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #2262/3600Condition: Near Mint+Artist: Tyler Stout£100 - 200VAT Status: M

NAUSICAA OF THE VALLEY OF THE WIND (1984) - Hand-Numbered Limited Edition Variant Print by Kilian Eng, 2021Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A private commission screenprint issued in 2021 by Kilian Eng for Hayao Miyazaki's 1984 Japanese post-apocalyptic fantasy anime Nausicaa of the Valley of the Wind. This limited edition print (hand-numbered #75/85) displays beautiful artwork and is the Variant design featuring the film title in Japanese. 24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #75/85Condition: Near Mint+Artist: Kilian Eng£200 - 400VAT Status: M

GUARDIANS OF THE GALAXY (2014) - Hand-Numbered Limited Edition Variant Print by Tyler Stout, 2014Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Mondo commissioned celebrated artist Tyler Stout to produce this outstanding screenprint for Marvel's Guardians of the Galaxy, and the Variant edition (offered here) was released exclusively at San Diego Comic-Con in 2014. Expresso Beans awarded it Poster of the Week (1st August), and this example is hand-numbered #314 out of 350.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #314/350Condition: Near Mint-Artist: Tyler Stout£250 - 500VAT Status: M

IRON MAN II (2010) - Signed and Hand-Numbered Limited Edition Metal Print by Tyler Stout, 2010Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Every design released by artist Tyler Stout proves extremely popular and immediately sells out. Stout produced an incredible design for screenprint to commemorate a special screening of Marvel's Iron Man 2 at the Alamo Drafthouse cinema on 26th April 2010. A few months after the initial two editions were released, Mondo offered up a Metal Variant exclusively at their store in Austin in extremely limited numbers. This example is signed by Stout and hand-numbered #14/65. The print comes in a black frame featuring a red-coloured inlay floating on a black mount and finished with UV Perspex.(Framed): 30" x 42" x 2" (76 x 107 x 5 cm)Additional Information: Signed and Hand-Numbered #14/65. Can be shipped without the frame.Condition: Near MintArtist: Tyler Stout£500 - 1000VAT Status: M

GREMLINS (1984) - Hand-Numbered Limited Edition Artist's Proof Print by Saniose, 2019Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Saniose has produced a packed design for Joe Dante's dark horror comedy Gremlins (1984) titled "One More Christmas Day in Kingston Falls". When examined closely, the private commission design has incredible detail, including a myriad of 'Easter Eggs'. The artist has cleverly incorporated the credits onto the carol books that the Gremlins are holding in the bottom right corner. The 9-colour screenprint is presented on Curious Metallic Ice Silver paper and is hand-numbered "#AP-2". 36" x 24" (91 x 61 cm)Additional Information: Hand-Numbered #AP-2Condition: Near Mint+Artist: Saniose£200 - 400VAT Status: M

THE ROCKETEER (1991) - Hand-Numbered Limited Edition Print by Cesar Moreno, 2017Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition screenprint by Cesar Moreno for Joe Johnston's The Rocketeer. Printed by DL Screenprinting, this design was released as part of the second round of posters for the 2017 gallery exhibit Mondo x Cyclops Print Works Present Never Grow Up: A Disney Art Show. The colour scheme on this Regular edition looks incredibly effective, and Moreno has created an impactful shot of The Rocketeer (Bill Campbell), wearing his distinctive helmet flying upwards. This lot is hand-numbered #124 out of 305.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #124/305Condition: Near Mint+Artist: Cesar Moreno£100 - 200VAT Status: M

GHOSTBUSTERS (1984) AND GHOSTBUSTERS II (1989) - Two Hand-Numbered Limited Edition Prints by Gustavo Barroni, 2020Bidding for this lot will end on Thursday 30th May. The auction will begin at 2:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. "Who you gonna call?". These two private commission designs for Ghostbusters and Ghostbusters II look incredible side-by-side. To achieve a high level of detail, artist Gustavo Barroni first created the designs by painting with oils on canvas, which were then adapted into prints. The Ghostbusters design comprises 12-colour inks and is printed onto Neenah Stardream Eris paper. The Ghostbusters II 14-colour screenprint is printed onto Neenah Stardream Citrine paper. Both were released in 2020 and are hand-numbered #2/65. (Each Print): 24" x 36" (61 x 91 cm)Additional Information: Both Hand-Numbered #2/65Condition: Both Near Mint+Artist: Gustavo Barroni£250 - 500VAT Status: M

Mr Brainwash (French 1966-) "Stairway to London (Led Zeppelin)" 2009, signed in pencil in the margin and numbered 79/100, screenprint on archival paper.57.5 x 77cm (framed 72 x 91cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.

Mr Brainwash (French 1966-) "I'll Be There For You (Friends Forever)" 2021, signed and numbered 23/94 in pencil in the margins, with certificate of authenticity on verso, screenprint on archival paper.56.5 x 57cm (framed 74.5 x 74.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.

Screenprint on Saunders Waterford 435gm HP hi-white paper, 22 × 22 in | 55.9 × 55.9 cm, Edition of 100 copies +20 AP, Numbered: 7/20, Includes COA, Signed by Kaws Excellent condition, Provenance: Private Collection

Size : 80 x 80 cm , Edition of 20, Screenprint Individually numbered, signed by the artist Excellent condition, Provenance: Private Collection

Hand-made 2 layer screenprint upon Somerset Tub 410gsm paper, 76 x 57.5 cm, Edition of 269 Excellent condition, Provenance: Private Collection

Tully Crook (British 1938-), "Summer", limited screenprint 17/20, signed, titled and numbered pencil bellow, Christies Certificate of Authenticity of Contemporary Art verso, framed. (53cmx68cm)

Josef Albers (German /American 1888-1976), 'Departing in Yellow', screenprint, dated 1964, 47x47cm, framed and glazed

Clare Curtis (British, contemporary), 'Seed Collection I', screenprint, artist proof, signed in pencil, 28x64cm, framed and glazed

John Stops (British,1925-2002), 'Arable Farms VII', screenprint, numbered 1/1, signed and dated 1971 in pencil, 29x43cm, framed and glazed

Abstract screenprint, 'Untitled 93' numbered 5/15, signed 'Gannifer' and dated '71,56.5x72cm, framed and glazed.

Michael Stokoe (British, b.1933), 'Cross Trapped', screenprint, artists proof, 57x78cm, framed and glazed

Ronald King (Brazillian, b.1932), 'Sea Anemone I', screenprint, numbered 38/50 and signed in pencil, 62x90cm, framed and glazed

Peter Blake (born 1932), Laurens, limited edition screenprint, signed in pencil, no. 79/175, sheet size 100cm x 73cm, framedVery good condition, no foxing or creases, aluminium frame also good

Tadek Beutlich (1922 - 2011), Big Cloud, screenprint, signed in pencil, no. 1/50, image 43cm x 56cm, clip frameLight creasing through being rolled, some light foxing in the margin and slight paper discolouration

Julio Le Parc (1928-) Serie 23, No.10-8signed 'Le Parc' (lower right); numbered 186/200screenprint, published by Editions Denise Rene, Paris, with their blindstamp, unframed 73.5 x 74cmSome very minor grubby marks to the outer margins, but otherwise in very nice condition. Work is on card so not suitable for rolling

§ Victor Pasmore CH, CBE ( 1908-1998) Cover for Image in Search of Itself, 1977unnumbered from the edition of 50screenprint50 x 31cm

§ Billy Childish (1959-) Reunion Owl; from the Ghosts of Gone Birds Suitesigned with monogram (lower right); numbered 51/125screenprint, unframed41 x 30cm

§ John McLean (1939-2019) Abstract Form; from the Mount Joy Suitesigned with initials and dated 95 (lower right); numbered 3/40screenprint78 x 59cmProvenance:With Flowers East, London

§ Patrick Caulfield CBE, RA (1936-2005) Two Whitingsigned 'Patrick Caulfield' (lower right); numbered 44/100screenprint, unframed110.5 x 153cm

Julio Le Parc (1928-) Serie 23, No.3signed 'Le Parc' (lower right); numbered 5/200screenprint, published by Editions Denise Rene, Paris, with their blindstamp, unframed 73.5 x 74cmSome very pale foxing to the margins. Otherwise in good condition. Work is on card so not suitable for rolling.

Margarette Burns-Finlayson (20th century) 5 Lines 6 Curvessigned 'Margarette F Burns Finlayson 89' (lower right); numbered 2/6screenprint34 x 19cm

§ Edward Piper (1938-1990) Afternoon in Tuscany, 1989signed 'Edward Piper' (lower right); numbered 71/175screenprint49 x 63cm

§ Patrick Hughes (1939-) Wet Paintsigned and dated 'Hughes 81' (lower right); numbered 128/150screenprint55 x 75cmProvenance: Collection of Nottingham City Council Fry Art Gallery, Saffron WaldenNot examined out of the frame. Some slight undulation to the paper support, most notable to the left hand margin, otherwise appears in nice overall condition.

§ Yvaral (Jean-Pierre Vasarely) (1934–2002), Structure Accélérée C, 1970, screenprint on metal with nylon filament, published by Éditions Denise René, Paris, signed and numbered 28/150 to the paper label on the reverse53 x 50 x 9.5cm

§ Albert Irvin OBE, RA (1922-2015) a group of four hand-signed and dated Christmas cardsscreenprint, printed by Advanced Graphics, London, unframed21 x 14.5cmProvenance:A gift from the artist to the present owner

Julio Le Parc (1928-) Serie 23, No.12-6signed 'Le Parc' (lower right); numbered 137/200screenprint, published by Editions Denise Rene, Paris, with their blindstamp, unframed 73.5 x 74cmVery pale foxing and marks to margins. Otherwise in good condition. Work is on card so not suitable for rolling.

§ Pete McKee (1966-) The Whosigned 'McKee' (lower right); further signed by Pete Townshend and Roger Daltrey; numbered 89/100limited edition screenprint printed for the March 30 and April 1 2017 Teenage Cancer Trust concert at The Royal Albert Hall, unframed59.5 x 42cm

Lee Bontecou (1931-2022) Untitled; from the New York Collection for Stockholm portfoliosigned 'Bontecou' (lower right); numbered 38/300screenprint, unframed22.5 x 30cm;together with Mark di Suvero (1933-)Untitledsigned 'di Suvero' (lower right); numbered 38/300screenprint22.5 x 30.5cm (2)

§ Sir Eduardo Paolozzi CBE (1924-2005) Pontisigned and dated 'Eduardo Paolozzi 1988' (lower right)screenprint61 x 42cm

Julio Le Parc (1928-) Serie 23, No.12-7signed 'Le Parc' (lower right); numbered 136/200screenprint, published by Editions Denise Rene, Paris, with their blindstamp, unframed 73.5 x 74cmVery pale foxing to upper left corner of margin. Small mark to lower left quadrant just out side of image. Otherwise in good condition. Work is on card so not suitable for rolling.

§ Allin Braund (1915-2004) The Churchyardsigned and dated 'allin Braund 1959' (lower left); numbered 11/19screenprint62 x 41cmProvenance: Collection of Nottingham City Council Fry Art Gallery, Saffron Walden

John Piper (British, 1903-1992), Travel Notes: Castle Ashby Avenue, signed l.r., screenprint in colours No.6/70, 75 by 52cm, framed. Note: Artist Resale Rights apply

"Happy Memories II", screenprint, signed, titled and numbered 170/300 beneath, framed, 20¾ x 16¾in. (52.7 x 42.6cm.)*Provenance: Label on reverse for Falle Fine Art Limited, Jersey.

Figures in a Landscape from the Constant Idoux series, screenprint on paper, signed in pencil lower left and numbered 95/100, inscribed in pencil lower right "Constant Idoux ser", framed, 9½ x 14½in. (24.1 x 36.8cm.). *Jean Hugo was the grandson of Victor Hugo.*Light time staining to sheet. Acidic mount.

William Tillyer (b.1938). Stile, artist signed screenprint, 34/60, 101cm x 69cm.

Norman Stevens ARA (1937-1988) Screenprint in colours "Monet's Garden", limited edition, signed, dated 1987 and numbered 17/100 in pencil within margin, framed and glazed, image size 79.5cm x 95cm, bears personal thank you letter to purchaser written on Royal Academy of Art headed paper verso

Group of pictures, including a screenprint of swans, two Bernard Buffet prints of London, etc

Cliff Holden (1919-2020), colour screenprint, Female figure, signed and dated 1975 in pencil, artist proof limited edition, 1/1, 56 x 45cm

Neil Canning (b. 1960) Screenprint with woodblock - Fusion I, 29 x 41cm, frame 57 x 64cm

Neil Canning, Screenprint with woodblock - Fission III, signed and dated '03, numbered, image 30 x 42cm, frame 57 x 64cm

Neil Canning (b. 1960), Screenprint with woodblock - Fission II, signed and numbered, image 30 x 42cm, frame 57 x 64cm

Neil Canning (b. 1960), Screenprint with woodblock - Response – 71/75, signed numbered and dated '02, image 51 x 121cm, frame 80cm x 147cm

Neil Canning (b. 1960), Screenprint with woodblock - Echo – 71/75, signed and numbered, image 50 x 120cm, frame 80cm x 147cm

Neil Canning, Screenprint with woodblock, Balance I – 9/75, image 75 x 56cm, frame 104cm x 81cm