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AFTER ANTHONY VAN DYCK Portrait of Marie-Louise de Tassis Oleograph, 39.5 x 29.5 cm Inscribed with monogram lower right Condition Report: Good overall condition Faux craquelure surrounds the figure Frame with a number of cracks and repairs but very presentable Ready to hang See additional images
A group of twenty-one framed paintings, drawings and prints, to include: Fletcher Sibthorp (b.1967) - Three Dancers, limited edition giclee print 281/295, signed and numbered in pencil below, 46 x 71 cm; Gerald Edward Tucker (1830-1909) - watercolour on paper, signed lower left, 46 x 66 cm; W. Doyle d'Arcy - 'Box up in the Winter Sun', signed print, 45 x 68 cm; After Andreas Betz - 'in the Lago Maggiore', oleograph print, 61 x 81 cm; After Francois Boucher (1703-1770) - oleograph print on canvas, artist's name inscribed on panel below, 23 x 29.5 cm; After Thomas Creswick (1811-1869) - 'The Village Blacksmith' oleograph on canvas, 58cm x 90cm, gilt framed, together with; James D. Preston (20th Century) - Cherry Blossom, artist's proof limited edition print (1/50), signed in pencil below and in print, blind stamped, 37cm x 46cm; P. Lucas (20th century) - Pair of Couple Portraits, pastel on paper, each signed and dated '5/82' and '28/2/81' lower right, inscribed label verso, 48 x 36 cm each; Camille Claus (French, 1920-2005) - 'L 'importance Historique', limited edition lithograph, signed and numbered 137/150 in pencil below, artist's name inscribed verso, 50 x 65 cm; Janet Faith Jordan - Six Deer, watercolour on paper, signed and dated '1991' lower right, 75 x 55 cm; and one other mixed media painting, indistinctly signed lower right, in pink painted frame; 20th Century Woodland Scene, oil on canvas board, unsigned, 50 x 60 cm, in oval gilt frame; After Bruno Oscar Munari (b.1946) - Two prints: 'Oasi' and 'Figure al Sole', both titled and signed in print, approx. 50 x 40 cm; R. Brannon (19th century) - 'Selby Old Bridge and Abbey', watercolour and body colour, inscribed verso; A photograph of a carving from Selby abbey, and two maps of York and Kingston upon Hull; Hugh Courtenay Knollys (1918-2006) - 'St. Jean De Luz', gouache on paper, signed and dated '56' lower right, 33 x 45 cm, labels inscribed verso: 'During the Spanish Gulf War St. Jean De Luz was used by British destroyer evacuating British Citizens conducting the Niton? patrol. Lt COR C. H. Knollys RN was awarded the DSC for the sinking of Japanese cruise securing. Later he was serving in the same destroyer when she was mined in the Corfu Channel'; and two other prints, all framed (21)
A fine Florentine hand carved and pierced gilt wood miniature frame, containing a oleograph on board of a couple lit by candlelight, together with a small early 20th Century oil on canvas painting of a floral bouquet signed H.G.Davis (lower right). The Florentine frame 28 cm highSight of Florentine frame measures approx 13 cm x 9.5 cmRebate of Florentine Frame measures approx 14.3 cm x 10.4 cm
A pair of believed Italian 19th century neo-Baroque manner oleograph print paintings of Venetian scenes. The lot comprising an oleograph depicting a lady & man in traditional gowns, together with a second depicting two ladies & a man on stairs. Both framed & glazed in oval floral frames. Each measuring approx. 80cm x 65cm including frame.
After George Alexander Napier (1823 - 1869) - A Victorian 19th century framed oleograph of sailing ships in rough seas signed G A Napier, 1874. Framed in gilt wood cassetta frame. The oleograph having a replica of the Brussels Art Exposition from 1897 to back. Measures approx. 29cm x 39cm, 56cm x 66cm x 9cm to include frame.
After Thomas Gainsborough, Portrait of Lady Milnes,oleograph on canvas,framed in deep gilt frame,overall size 133x107cm.Condition report:There is intentional craquelure across the canvas as part of the manufacturing process. No damages to the canvas. Some very small losses to the gilt frame.
After George Romney,The Stanhope Children,oleograph on canvas,framed in deep gilt frame,overall size 133x108cm.Condition report:There is all-over surface spotting which is quite distracting. Intentional craquelure. Up close the image is really in quite "soft focus". The frame is largely in good order.
Early Dutch Golfing Scene circa 15thc - oleograph on canvass artist unknown - from a version of golf called 'Spel Metten Kolven' played across open countryside and frozen Dutch lakes - image 14.25" x 18.5" - overall 19 x 23.75" Note comes with an extract copy of an article featuring the same scene. Note: From The Estate of The Late David Easby
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1737 item(s)/page