We found 37070 price guide item(s) matching your search

A Silver stamped and agate sword book marker, 10.5cm, an unmarked silver pen a silver propelling pencil and a silver mounted glass inkwell.

Limited Edition hand painted highly detailed porcelain mini box is in image of an antique look inkwell. With golden Koi fish all around this round petite treasure box it also boats a gilded fish clasp at hinge that opens to white interior. Peint Main Limoges France 1 of 100 99 BB backstamp. Artist: BBIssued: 20th c.Dimensions: 2"L x 1.5"W x 1.5"HEdition Number: 1 Country of Origin: FranceCondition: Age related wear.

A group of green hardstone lidded bowls and saucers, with a pair of larger matching bowls, a terracotta jug, a porcelain inkwell and a hardstone rhino Condition Report:Available upon request

A Paduan bronze inkwell, 16th century, With four infants supporting a lidded vase, on a square section base raised on paw feet, 23.5cm high, 18.5cm wide, 15.5cm deepFootnotes: Note: The style and casting of the present lot points to Padua's late Renaissance bronze production. The four infants or putti in particular recall the work of Niccolo Roccatagliata (1593-1636).

An Italian specimen marble and micromosaic table,Attributed to Giacomo Raffaelli, early 19th century, the base late 19th century,The white marble top inset with a central circular micromosaic depicting a chaffinch guarding its nest of eggs from an inquisitive mouse, surrounded by one hundred and sixty radiating specimens arranged in concentric tapering bands edged in Marmo Nero, samples include: porfido verde serpentino antico, Egyptian alabaster, porphyry, black granite, labradorite, amazonite, rhodonite, bloodstone, malachite, lapis lazuli, amethyst and various jaspers and agates, within a verde antico border on a Regency style polychrome decorated faux marble base with triform foliate scroll supports, overall - 74.5cm high, 134cm diameter; the micromosaic - 26.3cm diameterLiterature: Anna Maria Massinelli, Giacomo Raffaelli (1753-1836), Maestro di stile e di mosaic, Florence, 2018, pp.230-231, pp. 297-298, figs. 256 a, b, 353, 354.Footnotes:Note: Giacomo Raffaelli (1753-1836) trained as a sculptor and painter but by 1775 he was already known for his work in micromosaic, a medium which he is credited with advancing.  Through the work of the chemist Alessio Mattiloi, Raffaelli was able to create tiny tesserae made from spun enamel of extremely fine quality which allowed for the creation of complex compositions.  Working from both his studio in the Piazza di Spagna and the Vatican workshops in Rome, his gallery became a place of pilgrimage for sophisticated European aristocrats on their Grand Tour.Following the French occupation of Rome in 1797, Raffaelli transferred his workshop to the Milanese Court of Eugene Bonaparte.  However, the collapse of the Court in Milan saw Raffaelli return to Rome between 1815-20, and set up his flourishing workshop in the via del Babuino.Alongside his intricate and acclaimed micromosaics, Raffaelli was also fascinated with the mineral world and was a highly accomplished lapidary artist, using sophisticated combinations of marbles, jaspers and semi-precious stones such as lapis lazuli, amethyst and malachite to create stunning table tops.  The present lot can be almost certainly be attributed to Raffaelli combining as it does his genius in the techniques of both micromosaic and hardstone in a beautiful, harmonious design.The central circular scene in the micromosaic of the present lot with a chaffinch guarding its nest of eggs from a mouse can be directly compared with one of a pair of panels by Raffaelli sold by Sotheby’s, Pelham, The Public and the Private, 8 March 2016, lot 142, with provenance to Hamilton Palace, showing an identical scene alongside a second panel with a goldfinch and a serpent.  Further comparisons can also be drawn to a plaque in the Hermitage Museum, St Petersburg, and another in the Palazzo Borromeo, Borromeo Islands.  In all three of these panels the tree is lacking a further trunk on the far left which is part of the design of the present lot.  In addition, there is an inkwell in the Wallace Collection, London, which includes a medallion of the same picture but lacking the nest of eggs.  Close examination reveals in all these examples, including the present lot, Raffaelli’s trademark device to outline his birds and animals with white, rectilinear tesserae.The rich range of specimen marbles in the present lot can be compared with a table by Raffaelli sold Sotheby’s, Kentshire, New York, 18 October 2014, lot 156, with provenance to The Hon. John and Lady Augusta Kennedy-Erskine; and also a table at Trinity College, Cambridge, Fitzwilliam Museum (Massinelli op.cit p. 298).  A further table, not fully attributed to Raffaelli, is at Ickworth House, Suffolk, and displays the same arrangement of specimen marbles surrounding a central micromosaic of The Doves of Pliny (NT 850351).  The outer border with a band of verde antico marble in both the Kennedy-Erskine and Ickworth House table tops are identical to the present lot.While the base of the current table appears to be a later association, the ornamental scheme of the top combining a stunning lapidary palette with the intricate micromosaic can be attributed to the distinctive production of Raffaelli.

A collection of silver items comprising a silver epergne, by Cohen & Charles, Birmingham 1909, with three trumpet vases to a wirework frame and loaded base, 21.5cm high, a cigarette case, by Frederick Field, 8.7cm cm high, a pepperette, formed as a milk churn, by James Deakin & Sons, 4.3cm high, two vesta cases, three napkin rings, a capstan inkwell, an atomiser scent bottle, and a composed four piece dressing table set, one mirror decorated with putti, by Henry Matthews,weighable 6.8oztCondition ReportKnocks, wear and rubbing throughout. Noticeable knocks and splits to the dressing table set.

A modern silver capstan inkwell with pocket watch inset into the inside of the hinged cover - A & J Zimmerman, Birmingham, 6" diameter.

A small rectangular silver presentation tray - 'J' with beaded rim by H.G. Murphy, 1934, 8.1" across, a modern pair of silver salts with spoons and a small square glass inkwell with silver lid. (6)

A cold-painted dog inkwell - 'Geschultz', together with a hip flask, Ronson lighter, RAOB medal and a pair of music holders. (6)

Rexel, Ofrex Staplers, punches, desk calendar, RAC badges, inkwell, etc:- One Tray.

An Art Deco style acrylic standish - of marbled orange and red, rectangular with a square inkwell, 20cm wide

GROUP OF VESTA CASES AND SNUFF BOXES, including a Papier-mâché example, a horn example, and a souvenir Irish bog oak example from Killarney, along with a lidded brass stamp box, two silver plated vesta cases, a hammered metal cigar holder, and a heart shaped leather bound travel inkwell

BRASS ART DECO STYLE DESK DATA, 20TH CENTURY along with further items, to include a novelty terracotta pottery brown glazed lidded jar, modelled as a bear, a gun metal and tortoiseshell effect double inkwell, a white metal pin cushion modelled as a heeled shoe and furtherdesk data 14.5cm long

VICTORIAN BRASS INKWELL, AND OTHER ITEMS the inkwell with detachable glass well, on bun fee, along with a pair of brass table candlesticks and a small telescope15cm wideQty: 4

SWEDISH ART NOUVEAU CERAMIC DESK SET, RORSTRAND, EARLY 20TH CENTURY by Alf Wallander, comprising a pen tray, inkwell with hinged lid and candlestick, each modelled with stylised floral designs in shades of pink with green and bluethe candlestick 24cm highQty: 3

A Victorian mahogany folding writing slope, brass mounted, original tooled black leather writing slop, 45cm; a Black Forest type carved cat inkwell, pair of amber glass eyes (2)

Pair of Golf Ball shaped Inkwell and Nib Brush, golf ball shaped with clubs with its glass liner

19th century Golf Desk Top Inkwell: Silver plated exquisite Inkwell set by Roberts & Belk, started in 1863 measures 17" x 12" and stands 6" high at its tallest with original glass inkwells (please note brackets for inkwells have a broken loop which hold it on the tray on both). Green Jacket Auctions sold an example in 2015 for $2,910 but was wrongly described as sterling silver

An Edward VII loaded silver inkwell, of outswept square form, with glass liner, Chester 1909, 5.46oz all in.

A late 19thC Continental marble and brass mounted inkwell, of square form, with a hinged lid, raised on four ball feet, 7.5cm wide, together with a late 19thC cut glass brass and copper inkwell on stand, of Moorish form, 12.5cm high. (2)

An Edward VII cut glass and silver mounted inkwell, with a hinged lid, monogram engraved, London 1902.

A late 19thC novelty glass and wooden inkwell on stand, the hinged lid formed as a gavel, 11.5cm wide, two cut glass inkwells with hinged brass lids, a leather bound travelling double inkwell, and a Christofle silver plate and cut glass tea glass and holder, engraved with initials and "Montreux", with an insulated hinged lid. (5)

An Edward VII silver loaded inkwell, monogram engraved, Birmingham 1908, together with a pair of George V silver sugar tongs, Sheffield 1914, 2.75oz all in. (AF)

A Victorian cut glass and silver mounted inkwell, with a hinged lid, Matthew John Jessop, London 1894, 7.5cm wide. (AF)

Inkwell with hunters, Austria / Hungary | height: 19.5 cm, width: 20 cm | glazed, gilded porcelain. Figures made of biscuit | end of the 19th century |

This retired Swarovski Crystal Memories set of binoculars is part of In a Class of their Own theme group. Crystal Memories inkwell and quill (which is removable) was part of the Special Treasures collection. The metal detail is 18K gold-plated. This item has its original box which measures 2"L x 1.5"W x 3"H. The largest piece measures 1.5"L x 1.5"W x 0.5"H. Issued: c. 2000sManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

WELSH FOLK ART APPRENTICE BUREAU, 10 x 10.5 x 3.5cms and a slate inkwell base, 3.5 x 15.5 x 10cmsProvenance: private collection Gwynedd

China - "Blanc de Chine" (Dehua porcelain) porcelain inkwell decorated with a dragon. - Weight: 60 g - Shipping available - Region: Chine - Sizes: H 45MM X L 55MM - At first glance: good condition

Antique carved black forest inkwell blotter along with bear matchbox holder [9.5cm Height]

Victorian brass bounded writing slope with fitted inkwell compartments [45x21.5x28cm]

A group of vintage pens comprising an Onoto pen, a Swan pen, three two tone white/yellow metal pens, an additional black pen, and a Lucasfilm pen and letter opener (Star Wars interest), together with a Waterman inkwell (9)

An Edwardian silver inkwell, Sheffield 1910, of square form, with bead border and scroll corners, 9 x 9cm, loaded.

An early 20th century brass mounted horse hoof inkwell, together with a mahogany mounted horseshoe. (2)

a Wemyss pottery inkwell and cover painted in cabbage rose design, green border, 16.5cm diameter, a Royal Copenhagen retriever, printed marks and number 1533, 16.5cm long and a dachshund printed marks and number 3140, 12cm long  (3) condition: Inkwell with extensive crazing

Three Oil Lamps, Doulton Burslem Kelmscot Pattern jug and bowl set, inkwell, stag desk stand, cranberry glass, silver plated item, etc (qty)Lid with a chip and hairlineBowl - with an old stapled repair, right through the centre Twin handled dish - Heavily crazed with a hairline crack

Two Pitch Pine Desks, cast iron frames, one brass inkwell cover stamped Kingfisher Ltd, West Bromwich, largest 61cm by 85cm by 84cm, and a large oak hanging corner cupboard, 91cm by 46cm by 122cm (3)

A JAPANESE LACQUERED FIVE SECTION INROdecorated with horses in a river landscape, 8cm x 5.5cm, signed; and a Japanese bronze pen box with inkwell, 17cm long, signed (2)

A VICTORIAN SILVER RECTANGULAR INKSTAND JOHN GRINSELL & SONS, LONDON 1898 With as gadrooned border, a pierced scroll gallery, a pen tray, two cut glass inkwells with silver covers, engraved 1899 and an armorial, on four paw feet 25.5cm (10in) diameter 641g (20.6 oz) weighable Condition Report: Marks are clear Engraving crisp Stands well Hinges to bottles good Minor chips to the glass, one inkwell stained Light scratches and wear commensurate with age and use Condition Report Disclaimer

Elizabeth II silver cream jug and twin handled sugar bowl, sponsor's marks of Adie Brothers Ltd, Birmingham 1959, silver capstan inkwell, and flatware, 345g approx weighable

A Victorian Japanned papier mache dressing/stationery box, rectangular section platform form with hinged lid, inset with mother of pearl flroal motifs and rose garlands in gilt, opening to reveal a pen tray, inkwell cavity and trayed interior, on bracket feet, 37cm wide, 32cm deep

Three Arts and Crafts copper vessels, including a Newlyn style vase embossed with panels of fish in aquatic scenes, an inkwell with relief moulded shell and crustacean lid and a Continental vase with stylised birds, 13cm high (3)

A carved Black Forest Inkwell Modelled as a St Bernard with Brandy Barrel 

Victorian Tunbridge Ware and rosewood desk stand, with parquetry inlaid banding and glass inkwell, circa 1840, width 21.5cm Good condition

A 19th century gilt metal inkstand with a stag surmount on a boat-shaped base and with serpent handles 30cm wide x 10cm deep x 22cm highWear to the gilding overall. One pottery inkwell liner with staining due to use, the other restored. One antler in need of reattachment.

A George V silver sauce boat, with a gadrooned rim and scrolling handle on shell capped legs and pad feet, Birmingham, 1924, William Neale & Son Ltd, together with a silver desk inkwell, silver bud vase, sterling silver cornucopia pepperette Indian white metal bracelet bowl, epns etc weighable silver approximately 240 grams

An Edwardian silver mounted desk roller, William Comyns & Sons, London 1900; inkwell, Birmingham 1928 etc

An early 20th Century glass and silver mounted inkwell of square form with chamfered edges and a hobnail cut base, central well with plain silver collar and engraved hinged cushion shaped lid, hallmarked Birmingham 1901, makers mark for Synyer & Beddoes, 8cm tall overall

A George V heavy cut glass inkwell of square form with silver mounts (maker's mark obscured ..... & Sons, London 1913), 11 cm wide x 11 cm deep x 12.7 cm high

to include a weighted capstan inkwell by Asprey & Co Ltd, Birmingham, 1912; three piece cruet set; M.O.P handle bread fork by Cooper Brothers & Sons Ltd, Sheffield, 1909; silver picks and a cased set of M.O.P handled butter knives. (qty)* Inkwell with wear and dents; cruet set with wear and staining, fair.

Samuel Herbert & Co., London 1758, the rectangular stand with rounded angles and coil moulded borders, with a silver mounted and cut glass pounce pot, inkwell and quill holder in cross-pierced galleries, on paw feet, 10in. (25.5cm.) long, the silver stand weighing 15.9 tr.oz.*The stand with a loss to the pierced gallery on the front of one gallery. Clear marks. Six nuts missing from the fixings for the galleries to the underside (although they are still securely attached). The crest a little worn from polishing. A chip to the lower edge of the inkwell and several frits and tiny chips to the two other glass pieces. The quill holder mount is missing.

A Bridges mid 19th century pottery phrenology head inkwell, height 14cm.

Pair of Bohemian Huqqa (or Hookah) bases in blue glass decorated with enamel flowers (height 27cm) and a Whitefriars style millefiori inkwell in decanter form (a/f) (height 14.5cm). (3)

A novelty travel inkwell, modelled as a pith helmet, 6.5cm long

An interesting collection of sundries, to include a brass shoehorn, a pair of brass candle sticks, a brass scribes pen holder and inkwell, a putter ink well, a horn beaker and an inlaid birdseye maple box on ivory feetIvory registration reference: VZHEFFBZ Ombersley Court, Worcestershire

A novelty travel inkwell, modelled as a violin case in green leather, 8.25cm long

An Edwardian silver pen holder, by Joseph Gloster, Birmingham 1906, with engraved scrolling foliate decoration, monogrammed, and a silver inkwell, by Henry Clifford Davis, weighable silver 83gms (2) Condition Report:Available upon request

An Edwardian silver capstan inkwell (base weighted), by Horace Woodward & Co, London 1906 Condition Report:Available upon request

A hallmarked silver capstan inkwell. The inkwell having three feet in the form of dolphins. The hinged lid having a serpentine rim. Weighted. Inscription to front 'To Lieutenant L.W. Wood RNVR Divisional and Transport officer. HMS Mercury. 5.5.41 to 31.8.44 From his staff. Stamped with Lion passant and date letter p (Likely Birmingham 1939). Weight approx 416g. Measures approx 14cm x 4cm. 

A HALLMARKED BIRMINGHAM SILVER INKWELL SET WITH GLASS BOTTLE (LID A/F) AND A PEN

Mixed metal ware items including brass inkwell. Not available for in-house P&P