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![Pair of Vintage etched cameo glass vases in the style of Galle [18.5cm]](https://cdn.globalauctionplatform.com/ec107fc8-1930-44e0-b53f-b17300b2da39/50c3dff6-dc78-4865-a153-b17600be1381/468x382.jpg)
Lot 520
MONUMENTALE PENDULE MIT DEM SCHWUR DER HORATIER. Prévost Watteau. LilleDatierung: 1. Hälfte 19.Jh. Entwerfer/Meister: Das Modell Claude Galle. Technik: Bronze gegossen, ziseliert und matt- bzw. glanzvergoldet. Beschreibung: Hoher, rechteckiger Sockel auf vier Füßen. Schauseitig mit fein gearbeitetem Relief einer Schlachtenszene. Links des zentral aufsitzenden, rechteckigen Uhrengehäuses steht Horatius, der den Schwur seiner Söhne abnimmt und ihnen drei Schwerter entgegenhält. Die uniformierten Söhne rechts. Auf dem Gehäuse stehen drei Lorbeerkränze für den erhofften Sieg bereit. Zifferblatt mit römischen Ziffern. Großes 14-Tage-Pendulewerk mit Fadenaufhängung und Halbstundenschlag auf Glocke. Maße: 22x55x65cm. Marke: Auf guillochiertem Zifferblatt bez. "Prevost Watteau A Lille" (Grande Chaussé, Lille, 1829-35). Literatur:- Niehüser, Elke: Die Französische Bronzeuhr, München 1997. Das Modell siehe S.70.- Ottomeyer, Hans und Pröschel, Peter: Vergoldete Bronzen, München 1986. Typus vergleiche S.367, Abb.5.13.5.- Tardy, Meister siehe S.537.Als Vorlage für die Pendule diente das Gemälde "Der Schwur der Horatier" von Jacques Louis David, das sich heute im Musée du Louvre in Paris befindet.Das Sujet entstammt den Erzählungen des römischen Geschichtsschreibers Titus Livius, der in seinem Werk "Ab urbe condita" von den Kämpfen der Horatier gegen die Curiatier berichtet. Im 7. Jahrhundert v. Chr. befanden sich die Städte Rom und Alba Longa im Streit miteinander. Da sich beide vor der Bedrohung von außen durch die Etrusker fürchteten, entschied man sich, die Truppen beider Lager zu schonen und einen Stellvertreterkampf auszutragen. Zu den ältesten Familien Roms gehörend, wurden die drei Söhne der Horatier als Kämpfer ausgewählt. Für Alba Longa traten ihnen die drei Brüder der Sippe der Curatier entgegen.Zwar gingen die Horatier siegreich aus dem Kampf hervor, jedoch fand die Geschichte dennoch ein eher tragisches Ende: Nur der jüngste Bruder überlebte und konnte den Gegner letztendlich durch eine List bezwingen. Danach tötete er seine Schwester, die um ihren Verlobten - einen Curatier - trauerte. Der Fall ging in die römische Rechtsgeschichte ein, da der letzte Nachkomme der Curatier aufgrund seiner Tapferkeit und Standhaftigkeit freigesprochen wurde. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog Prévost Watteau Frankreich Standuhren und Kaminuhren 19. Jahrhundert Pendule Bronze vergoldet
Lot 6
Emile GALLE (1846-1904) Rare gobelet de couleur ambrée au décor émaillé de chardons et à la croix de lorraine. Signature émaillée « Emile Gallé à Nancy» au revers de la base. Hauteur : 10,8 cm Diamètre au col : 7,8 cm Glasse in transparent and smoked glass. Decoration of thistles and a Lorrain cross, polychrome and enamelled. Signed “Emile Gallé à Nancy” under the base.
Lot 468
Emile GALLE (1846-1904) - Set consisting of an earthenware pocketknife and a small jug. 19th century. Signed under both pieces. - Weight: 620 g - Shipping available - Region: France - Sizes: H 125MM X L 135MM / H 240MM X L 180MM - At first glance: normal wear / patina of use - Condition Detail: Petit coup sur le plateau
Lot 335
Seltene "Soufflé"-Vase mit Clematis-DekorGerundete Walzenform mit weitem, kurzem, hochgezogenem Hals. Überfangglas, farblos, bernsteinfarben und lachsrot. Reliefplastischer, in "Soufflé"-Technik ausgeführter und im Modell eingearbeiteter Dekor aus blühenden Clematisranken vor matt ausgeätztem Grund. Sign. Gallé. H. 24,5 cm.Vgl. Duncan/de Bartha: "Glass by Galle", Abb. 298.A rare French Art Deco "Soufflé" mould blown cameo glass vase with clematis decor by Gallé. Signed.Frankreich. Nancy. Établissements Gallé. Um 1925.
Lot 40
A PAIR OF EMPIRE GILT AND PATINATED BRONZE CANDLESTICKS AFTER GALLE AND PERCIER EARLY 19TH CENTURY AND LATER With star motif design to tops of stems, now fitted as tall electric table lamps with shades bases 24.5cm high, 80cm high overall including current shades Provenance: Beaussant Lefevre, Paris, where purchased by Count Manfredi della Gherardesca, 31 January 2018 Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The 'candle' sections look to be simulated wood- some sort of painted paper composite and a skilful electrician should be able to reduce them in height. The candle sections are glued into the detachable sconces. Bases with surface wear and losses and wear to gilding. ELECTRICAL GOODS. Sold with a 2024 portable appliance test (PAT) certificate Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 50
A PAIR OF EMPIRE GILT AND PATINATED BRONZE CANDLESTICKS AFTER GALLE AND PERCIER EARLY 19TH CENTURY AND LATER Characteristic figural triple herm stems, with Egyptian style heads, now fitted as tall electric table lamps with shades bases 27cm high, 79.5cm high overall including current shades Provenance: Beaussant Lefevre, Paris, where purchased by Count Manfredi della Gherardesca, 31 January 2018
Lot 9
A VERY NEAR PAIR OF FRENCH GILT AND PATINATED BRONZE CANDLESTICKS AFTER GALLE AND PERCIER MID 19TH CENTURY Characteristic figural triple herm stems, with Egyptian style heads 32.5cm high, bases 14.5cm diameter Provenance: Beaussant Lefevre, Paris, 31 January 2018, where purchased by Count Manfredi della Gherardesca Saleroom Notice: Please note current catalogue description replaces the printed catalogue version Condition Report: Saleroom Notice: Please note current catalogue description replaces the printed catalogue version "A VERY NEAR PAIR OF FRENCH GILT AND PATINATED BRONZE CANDLESTICKS AFTER GALLE AND PERCIER"There are slight size variances and variance to pattern on bobeches and to banding at tops of each. The gilding with rubbing from use- mostly around nozzles, bobeches, underneath the tops and around bases Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 849
Kleine Vase mit Holunderbeere Emile Galle, Nancy, um 1905 Farbloses Glas, innen mit Teilunterfang am Boden in Orange, aussen rosa ueberfangen und im Innern mattiert. Umlaufend reliefiert geaetzter Dekor: Holunderbeerenstrauch. Binnenzeichnung in flacher Hoch- und Nadelaetzung. Auf der Wandung bez.: Galle mit Stern (hochgeaetzt). H. 14,5 cm.
Lot 121
H. Vredeman de Vries, van Doetecum brothers - Castle Garden inside fortress wall / Description: This print is described by the Rijksmuseum (RP-P-1964-1642) and makes part of , a series of small architectural prints engraved by Johannes or Lucas van Doetecum , first published by Hieronymus Cock in 1562, then by Theodor Galle in 1601, and some decades later by his son Joan Galle. We see a view of a castle with a fortress wall on the left. To the right a corridor of latticework and a pavilion in front. The edition could not be established but based on the superior quality comparing to the Rijksmuseums example and the ones found elsewhere: this is certainly an early impression from 1601 or earlier. Rare in this early printing quality! / Dimensions: 15,20 x 21,00 cm / Condition: Very good impression with plate tone and ink smudges in the plate borders. With wide margins in the original full sheet of laid paper. / Literature: New Hollstein Dutch 281 Van Doetecum, Hollstein Dutch 99-Vredeman de Vries / Medium: Etching /Circa: 1562 260
Lot 161
Cornelis Galle - The Church fathers, by Rubens / Description: The four Latin Doctors of the Church; St Ambrose at left, holding a crook and wearing a mitre, behind him a putto holds a beehive (symbol of the sweetness of his words); St Gregory seated at center, wearing papal tiara; at right St Augustine with two angels above holding his attributes (a burning heart and a crook); St Jerome seated at far right, his hat lying at his feet, a lion asleep at his side; the Holy Spirit above; from the enlarged plate. The first state had no text line and was only 40 cm wide. In this second state the plate was enlarged by two strips of plates added on either side. Engraving after the painting by Peter Paul Rubens now in the Nationalmuseum, Stockholm. Engraved by Cornelis Galle I circa 1630-1642 and published by Gillis Hendricx.Text line: "Reverendo admodum nobili ... Guillielmo van Hamme ... Hermannus de Neyt Antwerp", underneath left "P. Paulus Rubens inventor", center "Cum privilegio" with a coat of arms, right "Corn. Galle sculpsit / Gillis Hendricx excudit" / Dimensions: 36,50 x 46,50 cm / Condition: A good impression on watermarked laid paper. On plate border with small margins at top and bottom side. Some folds near the corners. / Literature: Schneevoogt 1873 / Catalogue des estampes gravées d'après P.P.Rubens (64.2) ----- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (69.II) ----- Corpus Rubenianum VIII / Saints (60) / Medium: Engraving /Circa: 1630-1642 380
Lot 96
Maerten van Heemskerck, Philips Galle, Matthew the Evangelist writes his Gospel / Description: Matthew the Evangelist writes his Gospel. Engraving made by Philips Galle (1537-1612) in Antwerp ca 1562, after Maerten van Heemskerck (1498-1574). New Hollstein Dutch Galle 331-3(3) , New Hollstein Dutch 413-3(3) Heemskerck. In good condition. Good impression on thin laid paper, on the margins and missing the text border below. Rare engraving. / Dimensions: 15,3 cm x 22,1 cm / Condition: In good condition. Good impression on thin laid paper, on the margins and missing the text border below. Rare engraving. / Literature: New Hollstein Dutch Galle 331-3(3) , New Hollstein Dutch 413-3(3) Heemskerck. / Medium: engraving /Circa: 1569 325
Lot 153
Maerten van Heemskerck, Philips Galle, The story of Suzanna, complete set. / Description: The story of Suzanna, complete set of six engravings made by Philips Galle ( 1537-1612) in Antwerp ca 1563, after Maerten van Heemskerck (1498-1574). Published by Carolus Galle. References: Riggs 139. Plate 1: Elders try to seduce Susanna, New Hollstein Dutch 87-2(2) Galle, New Hollstein Dutch 219-1(2)Heemskerck. Plate 2: Susanna accused by the elders: New Hollstein Galle Dutch 88 only state, New Hollstein Dutch Heemskerck 220 only state; Plate 3: Daniel challenges Susanna's conviction, New Hollstein Dutch Galle 89 only state, New Hollstein Dutch Heemskerck 221 only state. Plate 4: Daniel questions the elders, New Hollstein Dutch Galle 90-2(2), New Hollstein Dutch Heemskerck 222-2(2). Plate 5: Stoning of the elders, New Hollstein Dutch Galle 91-2(2) Galle, New Hollstein Dutch Heemskerck 223-1(2). Plate 6: Susanna and her family praise God, Riggs, New Hollstein Dutch Galle 92 only state, New Hollstein Dutch Heemskerck 224 only state. All six in very good condition. Good dark impressions on laid paper with large margins. Al six printed on the same kind of laid paper, set is born together. / Dimensions: 20,5 cm x 25,2 cm / Condition: All six in very good condition. Good dark impressions on laid paper with large margins. Al six printed on the same kind of laid paper, set is born together. / Literature: Riggs 139. Plate 1: New Hollstein Dutch Galle87-2(2), New Hollstein Dutch Heemskerck 219-1(2). Plate 2: New Hollstein Galle Dutch 88 only state, New Hollstein Dutch Heemskerck 220 only state; Plate 3: New Hollstein Dutch Galle 89 only state, New Hollstein Dutch Heemskerck 221 only state. Plate 4: New Hollstein Dutch Galle 90-2(2), New Hollstein Dutch Heemskerck 222-2(2). Plate 5: New Hollstein Dutch Galle 91-2(2) Galle, New Hollstein Dutch Heemskerck 223-1(2). Plate 6: New Hollstein Dutch Galle 92 only state, New Hollstein Dutch Heemskerck 224 only state. / Medium: complete set of 6 engravings /Circa: 1563 1600
Lot 65
Jan Van der Straet (Stradanus), Adriaen Collaert, Sea monsters surrounding a ship / Description: Sea monsters surrounding a ship, engraving made by Adriaen Collaert (1560-1618) ca 1594-1598, after a drawing/painting of Jan Van der Straet (Stradanus) (1523-1605) published by Philips Galle in (1537-1612) Antwerp ca 1578-1612. New Hollstein Dutch 510 3(3). From the series Venationes, (always missing). In very good condition, good impression on laid paper with narrow margins. With a good watermark. / Dimensions: 19,9 cm x 27,2 cm / Condition: In very good condition, good impression on laid paper with narrow margins. With a good watermark. / Literature: New Hollstein Dutch 510 3(3) / Medium: engraving /Circa: 1594-1598 1800
Lot 79
Philips Galle (1537-1612) - The Falcon Hunt / Description: Selected outstanding impression of the first state of one of the prints from Venationes Ferarum, Avium, Piscium: Falconry; a company of falconers, including a gentleman and a lady on horseback, gather by a bridge; beyond, falcons, aided by dogs, attack herons; in the distance, two ladies sit under a parasol and spectate, with a town visible on the horizon beyond. Engraving after de designs of Jan van der Straet made by Philips Galle. First state before the number. / Dimensions: 21,20 x 28,20 cm / Condition: Outstanding impression in excellent condition. Wide margined laid paper with Antwerp Hand watermark. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (446.I) --- Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (693.65) / Medium: Engraving /Circa: 1578 320
Lot 256
Wenceslaus Hollar (1607-1677) - Port of Dordrecht / Description: Port of Dordrecht with moored ship, sailing and rowing boats; ramparts at left lined with trees, church and houses seen beyond; after Jan Peeters. 1651 Etching made by: Wenceslaus Hollar, after Jan Peeters I. From a series of six plates of ports etched by Hollar after various artists, first state published by Joannes Meyssens and second state by Cornelis Galle - see New Hollstein 1165-1170. / Dimensions: 15,80 x 22,20 / Condition: Good impression on rather chalky paper with letter watermark. Full plate border and margins, very good condition. / Literature: New Hollstein (German) / The New Hollstein: German engravings, etchings and woodcuts 1400-1700 (1166.II) --- Pennington 1982 / A descriptive catalogue of the etched work of Wenceslaus Hollar (839.II) / Medium: Etching /Circa: 1651 140
Lot 63
Vredeman de Vries (Jan) Variae Architecturae Formae, title, 21 plates only, numbered '29' through to '48', on laid paper, each platemark approx. 154 x 210 mm (6 x 8 1/4 in), each sheet approx. 205 x 295 mm (8 x 11 1/2 in), handling creases throughout, marginal nicks and small losses, a few repaired, the last plate with large repaired tear, surface dirt throughout, limp vellum, scuffed and very worn, oblong 4to, Antwerp, Theodore Galle, 1601 [bound with] an additional plate from the above, but trimmed and likely from a different edition, and five further irregularly shaped architectural engravings, probably after Vredeman, trimmed and mounted on leaves, [early 17th century]
Lot 645
An Art Nouveau cameo glass vase in tones of blue, purple and opaque glass. Of slender tapering form and acid etched with a river and mountain landscape Etched mark, 'Galle, Rio de Janeiro'. 29.5cms high. *CR The base rim has various scratches and wear, otherwise seems in good condition. There is a couple of very tiny air bubbles to the body from manufacture (very minor).
Lot 133
A GALLE STYLE CAMEO GLASS LAMP AND SHADEModern The orange ground overlaid and acid etched with branches laden with fruit, pseudo Galle mark, 56cm highGood conditionProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 195
Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 185
Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. Est
Lot 436
Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99 worldwide.
Lot 20
Der Triumph des Todes über die Zeit 19. Jh., nach Vorbild des 17. Jh. Grisailleaquarell/Bütten. 21,5 x 31 cm; unter Glas ger. - Kopie nach Maarten Jacobsz Heemskerk aus der Folge "Die Triumphe des Petrarca", die u.a. von Philippe Galle oder leicht abgewandelt von Georg Pencz gestochen wurden.Personifizierter Tod, Stier, Triumphzug
Lot 12
Claude Galle, 1759 – 1815, zug.FRANZÖSISCHE KAMINUHR IN FEUERVERGOLDETER BRONZEHöhe: 45 cm. Breite: 45 cm. Tiefe: 20 cm.Werk: 14-Tage-Gehwerk, Pendel an Fadenaufhängung, Regulierung oberhalb der XII. Schlossscheiben-Schlagwerk für Halb- und Stundenschlag auf Glocke. Gehäuse: Imposanter, großformatiger Gehäuseaufbau in Form einer mit einem Laken überhangenen Kline, darauf eine jugendliche Frauenfigur, Allegorie der Venus, umgeben von vier Amoretten, die zur Tätigkeit der Liebesgöttin aufrufen. Die Kline prächtig gestaltet mit Löwentatzenfüßen, Draperien und Quasten, auf einem gerade ziehenden Sockel auf Spindelfüßen. Die plastische Gestaltung von hoher Qualität, nicht ohne Witz und Charme – wenn etwa einer der Amoretten sich hinter dem Laken verbirgt. Wie bei den meisten dieser französischen Pendulen ist der Entwerfer und Sculpteur nicht ermittelt worden. Zifferblatt: Das weiße Emailziffernblatt in die Draperie eingefügt, mit Bezeichnung „a Paris“, mit römischen Stunden, arabischen Viertelstunden und vergoldeten, durchbrochen gearbeiteten Zeigern. A.R.Literatur: Vgl. Pierre Kjellberg, Encyclopédie de la pendulum francaise du Moyen-Age au XXe siècle, S. 390. (1390992) (11)Claude Galle,1759 – 1815, attributedFRENCH MANTELPIECE CLOCK IN FIRE-GILT BRONZEHeight: 45 cm.Width: 45 cm.Depth: 20 cm.14-day movement, pendulum on silk suspension, regulation above the XII. Locking disk striking mechanism for half and hour strike on bell.
Lot 215
Hieronymus Galle d. Ä., 1625 – um 1679GROSSES STILLLEBEN MIT KÜRBISSEN GERAHMT VON FRÜCHTENÖl auf Leinwand. Doubliert.100,5 x 113 cm.Mit auf der Steinplatte signiert „Gironimo.Galle.f.“.In elegantem Wellenleistenrahmen.Vor einer antiken Plinthe mit Eierstabfries liegen zwei mächtige Kürbisse, deren bewegte, grün-gelb changierende Oberfläche durch die Beleuchtung mit lebendigem Schattenwurf gekennzeichnet ist. Vor ihnen Trauben, Rüben, Pflaumen, Feigen und Granatäpfel, auch oberhalb der Plinthe Früchte liegend. Galle war 1636 - 1646 in Antwerpen tätig und ab 1636/37 Meister. 1661-1662 hielt er sich zusammen mit Franz de Neve (1606-1681) in Rom auf.Provenienz: Christie‘s London, 12. Dezember 1986, Lot 26.Sotheby‘s New York, 2015.Literatur:Vgl. Walter Berndt, Die niederländischen Maler des 17. Jahrhunderts, München 1969. (1390011) (13)Hieronymus Galle the Elder,1625 – ca. 1679LARGE STILL LIFE WITH PUMPKINS SURROUNDED BY FRUITOil on canvas. Relined.100.5 x 113 cm.Signed “Gironimo.Galle.f” at centre of stone slab.
Lot 266
Nach PIETER BRUEGEL D.Ä.PHILIPS GALLEFides (Der Glaube) 1559-60Aus der Folge: Die sieben Tugenden. Herausgegeben von Hieronymus Cock. Kupferstich auf Bütten. Blattgröße ca. 25,9 x 33,5 cm, Plattengröße 22,3 x 29 cm. Bastelaer 132; New Hollstein (Bruegel) 13 I/II, unten links "Cock exc"; New Hollstein (Galle Bd. II) 309; Hollstein (Cock) 243.(Mit 1,5 - 2,5 cm Rand um die Plattenkante. Oberrand mit geklebten Einrissen. Fehlstellen in den Ecken und weitere unbedeutende Randdefekte. Papierhautverletzung über dem Wort "Fides". Vereinzelt kleine Braunflecken.)
Lot 408
Dyck, Anthonis van: Icones principum virorum doctorum, pictorum chalcographorum statuariorum nec non amatorum pictoriae artis numero centum. Antwerpen: G. Hendricx o.J. 38 x 28 cm. Mit illustr. Kupfertitel von Jac. Neeffs nach A. van Dyck und 109 Porträts auf Tafeln von S. à Bolswert, P. Clouet, W. J. Delphius, Corn. Galle, W. Hondius, P. de Iode, N. Lauwers, A. Lommelin, P. Pontius, R.V. Vorst und L. Vorsterman. Marmorierts Kalbsldr. m. Rs., Rv. und umlaufende Deckelbordüre.(R. und Kanten berieben, Gelenke und Rücken fachmännisch restauriert bzw. ergänzt.. Innengelenke verstärkt.. Innen im w. Rand teils etwas fleckig und wenige Taf. im Oberrand gering braunfleckig. Einzelne Taf. altersfleckig.)GraesseVI/II, 256. Hollstein VI, 87 ff. New Hollstein (Iconography) I und II. Mischexemplar mit Tafeln in verschiedenen Druckzuständen vom 3. bis 6. Zustand. In dieser Zusammenstellung nach 1645 bis 1665 erschienen.
Lot 54
Goltzius, Hubert: Icones imperatorum Romanorum, ex priscis numismatibus ad vivum delineatae, & brevi narratione historica illustratae. Accessit modo Impp. Romano-Austriacorum series, ab Alberto II. … ad usque Ferdinandum III. …, stylo et opera Casperii Gevartii. Antwerpen: Plantin-Moretus 1645. 32,7 x 21 cm. Mit gest. Titel von C. Galle nach P. P. Rubens und 144 großen Porträtmedaillons in Clair-Obscur-Technik von Christoffel Jegher sowie 9 nicht ausgeführten Medaillons. XIV SS. (inkl. Kupfertitel), 1 Bl., 423 SS., 2 Bll. Ldr. mit Rs.(Beschabt und bestoßen, Rücken im Schwanzbereich mit kl. Fehlstelle. Innen t. etwas gebräunt bzw. altersfleckig. Plattenton der Medaillons auf Textrückseite durchschlagend. Kupfertitel knapp beschnitten, verso gestempelt.)Graesse III, 313. Funck 318 u. 324. Lipsius 153. - Spätere Ausgabe, erstmals mit den neuen Holzschnitten von Chr. Jegher und mit einem Anhang über die österreichischen Kaiser von C. Gevaerts. Zugleich Band V einer fünfbändigen Ausgabe der „Opera“ bei Moretus (1644-54). Die großen Porträtmedaillons zeigen die römischen und römisch-deutschen Kaiser von J. Cäsar bis Ferdinand III. - „Il faut noter que, dans le tome V, les gravures sont plus belles et plus nettes que dans les autres“ (Funck S. 324). - Fliegendes Vorsatzblatt mit hs. Eintrag „Ex Bibliotheca Zapfiana ... Rothenbuchensis 1787“.
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