We found 5625 price guide item(s) matching your search

HELEN SLATER (20th century) 'Grandmother and Grandchild'1985, signed dated and titled in pencil to the margin, artist's proof etching with aquatint and drypoint, the image 24cm x 24cm Exhibited: Royal Academy Summer Exhibition, 1987, number 1263.

This antique second state drypoint etching on paper is after French Post-Impressionist artist Paul Cezanne's original Guillaumin au Pendu (Portrait of the Artist Guillaumin with the Hanging Man.) Housed in a dark brown wood with silver color and cyan borders and a black velvet mat. Artwork dimensions: 8"L x 8"H. Frame size: 14.50"L x 14.50"H x 1"W. Artist: Paul Cezanne (French 1839-1906)Issued: c. 1873Country of Origin: FranceCondition: Age related wear.

§ Stanley Anderson CBE, RA (1884-1966) The George Inn, Southwarksigned 'Stanley Anderson' (lower right); further signed and dated 1919 in the platedrypoint etching, unframed35.5 x 39cm

William Lionel Wyllie,Forth Bridge,monochrome drypoint etching, signed,19x39cm.

Norman Wilkinson (British, 1878-1971) Drypoint etching Fly fisher netting a trout, signed in pencil lower right, framed and glazed, image size 24cm x 30.5cm, together with another by the same hand depicting a river scene with a trout jumping, signed in pencil lower right, framed and glazed, image size 23.5cm x 31cm (2)

Leonard Robert Brightwell (1889-1962) two drypoint etchings, one depicts a comical monkey group, the other a grooming monkey, both signed in pencil and inscribed, the largest one, 25cm x 37cm, both gilt framed, mounted and glazed (2) 

Edmund Blampied (British 1886-1966): 'Gathering Turnips', drypoint etching signed in pencil 12cm x 17cm

Walter Sickert – ‘Sonia Alomis’, etching with drypoint, signed in pencil, circa 1922, 15cm x 11cm, within a painted wood frame.

Thomas Coultas (British - 20th century) - Framed drypoint etching, signed in the margins in pencil by the artist. Measures approx. 52cm x 33cm. 

Salvador Dalí (1904-1989) Le Camp du Roi Marc, from Tristan et Iseult (Field 70-10L; M&L 417) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 670 x 508mm (26 3/8 x 20in)With the Dali Trade authentication inscription and signature in pencil verso (05/14/2022).

Salvador Dalí (1904-1989)Espeluznante columna concreta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 864a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/22)

Salvador Dalí (1904-1989)La coupe offerte, from Le Paradis Terrestre (Field 74-11D; M&L 707)Drypoint engraving printed in colours, 1974, signed and inscribed 'arches' in pencil, numbered from the edition of 20, printed by Ateliers Rigal, co-published by Cercle de Bibliophile de l'Automobile Club de France and Editions de Francony, Paris, on Arches paper, with full margins. sheet 378 x 279mm (14 7/8 x 11in)With the Dali Trade authentication inscription and signature in pencil verso (dated 5/29/22)

Salvador Dalí (1904-1989)Cavalier et la Mort, from Faust (La Nuit de Walpurgis) (Field 69-1H; M&L 307b)Drypoint with roulette printed in colours, 1969, signed and inscribed 'E.A.' in pencil, aside from the edition of 293, printed by Robbe, Paris, published by Graphik Europa, Anstalt, on Japan paper, with full margins, sheet 385 x 285mm (15 1/8 x 11 1/4in)

Salvador Dalí (1904-1989)Visage Surréaliste, from Aurélia (Field 72-5A; M&L 562b)Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Ateliers Rigal, Editions d'Art de Francony, Paris, on Auvergne paper, with full margins, sheet 798 x 585mm (31 1/4 x 23in)

Salvador Dalí (1904-1989) L'Immortalité de l'impérialisme génétique, from Dix recettes d'immortalité (Field 73-20C; M&L 570a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with full margins, sheet 388 x 563mm (15 1/4 x 22 1/8in)

Salvador Dalí (1904-1989)Le Bureaucrate (Field 69-2; M&L 343b)Drypoint, 1969, signed in pencil, numbered in roman numerals from the edition of 20, printed by André François Petit, Paris, on Japon nacré paper, with full margins, sheet 565 x 385mm (22 1/4 x 15 1/4in)

Salvador Dalí (1904-1989)St Georges et le Dragon (M&L 733b)Drypoint with etching and pochoir printed in colours, 1974, signed in pencil, numbered from the edition of 150 in roman numerals, published by Ateliers Rigal, Paris, on Arches paper, with full margins, sheet 755 x 562mm (29 3/4 x 22 1/8in)

Salvador Dalí (1904-1989) Anamorphose des anamorphoses et tout est hologrammophose, from Dix recettes d'immortalité (Field 73-20D; M&L 575a)Drypoint with etching and heliogravure, 1973, numbered from the edition of 10 in pencil, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 560 x 382mm (22 x 15in)

Salvador Dalí (1904-1989)Tarántula de poca monta, from Les Caprices de Goya de Dalí (Field 77-3; M&L 901a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 442 x 310mm (17 3/8 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989)El sueño de la razón produce monstruos, from Les Caprices de Goya de Dalí (Field 77-3; M&L 890a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989) Le Système caja y menta, from Dix recettes d'immortalité (Field 73-20I; M&L 571a)Drypoint with etching and heliogravure printed in colours, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 382 x 561mm (15 x 22 1/8in)

Salvador Dalí (1904-1989) Epitaphe de l'immortalité, from Dix recettes d'immortalité (Field 73-20B; M&L 569a)Drypoint with etching and heliogravure with gold embellishments, 1973, numbered from the edition of 10 in pencil, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 383 x 564mm (15 1/8 x 22 1/4in)

Salvador Dalí (1904-1989) Immortalité stéréoscopique et stéréochimique de la monarchie, from Dix recettes d'immortalité (Field 73-20M; M&L 577a)Drypoint with etching and heliogravure printed in black and gold, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 566 x 386mm (22 1/4 x 15 1/8in)

Salvador Dalí (1904-1989)Cinco o seis por lo menos, from Les Caprices de Goya de Dalí (Field 77-3; M&L 906a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/19/22)

Salvador Dalí (1904-1989)Le Cerf se voyant dans l'eau, from Le Bestiaire de la Fontaine Dalinisé (Field 74-1G; M&L 660)Drypoint with pochoir in colours, 1974, signed in pencil, inscribed 'EA', an artist's proof aside from the edition of 250, on Japon nacré paper, printed by Atelier Rigal, Paris, published by Mouret, Paris, on wove paper, with full margins, sheet 766 x 562mm (30 1/8 x 22 1/8in)

Salvador Dalí (1904-1989) Iseult aux Blanches Mains, from Tristan et Iseult (Field 70-10Q; M&L 422) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 648 x 500mm (25 1/2 x 19 5/8in)With the Dali Trade authentication inscription and signature in pencil verso (05/19/2022).

Salvador Dalí (1904-1989) Tristan et Le Dragon, from Tristan et Iseult (Field 70-10E; M&L 410) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 648 x 500mm (25 1/2 x 19 5/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 05/19/2022).

Salvador Dalí (1904-1989) Iseult et Branguine, from Tristan et Iseult (Field 70-10R; M&L 423) Etching with drypoint printed in colours, 1970, signed in pencil, numbered in roman numerals from the edition of 75, printed by Atelier Rigal, published by Pamela Verlag, Paris, on Japon nacré paper, with full margins, sheet 665 x 507mm (26 1/8 x 20in)With the Dali Trade authentication inscription and signature in pencil verso (dated 05/19/22).

Salvador Dalí (1904-1989) L'Homme ressuscité par l'holographie de l'écureuil, from Dix recettes d'immortalité (Field 73-20A; M&L 567a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, the full sheet printed to the edges, sheet 384 x 556mm (15 1/8 x 21 7/8in)

Salvador Dalí (1904-1989)El horizonte, from Les Caprices de Goya de Dalí (Field 77-3; M&L 900a)Etching with drypoint and pochoir printed in colours, 1977, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal, published by Berggruen/Editions Graphiques Internationales, Paris, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 1/2 x 12 1/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 5/17/22)

Salvador Dalí (1904-1989) L'Immortalité de Castor et Pollux, from Dix recettes d'immortalité (Field 73-20K; M&L 572a)Drypoint with etching and molded paper additions, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with full margins, sheet 568 x 385mm (22 5/8 x 15 1/8in)

Salvador Dalí (1904-1989)Petits Nus d 'Apollinaire (Field 72-4D; M&L 205)Etching with drypoint hand-finished with watercolour and gold, 1972, signed in pencil, numbered from the edition of 95, printed by Robbe, published by Editions Argillet, Paris, on Japan paper, with full margins, sheet 380 x 290mm (15 x 11 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 10/13/2022)

Salvador Dalí (1904-1989) The Museum of Genius and Fancy, from After 50 Years of Surrealism (Field 74-L; M&L 676) Etching with drypoint and pochoir printed in colours, 1974, signed in pencil, numbered in Roman numerals from the edition of 35, printed by Atelier Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Arches paper, with full margins, sheet 658 x 498mm (25 7/8 x 19 5/8in)With the Dali Trade authentication inscription and signature in pencil verso (02/05/2024).

Salvador Dalí (1904-1989) Immortalité du Dalianus Galae, from Dix recettes d'immortalité (Field 73-20F; M&L 568a)Drypoint with etching and heliogravure, 1973, signed in pencil, numbered from the edition of 10, as included in the portfolio Dix Recettes D'Immortalité, printed by Ateliers Rigal, published by Audouin-Descharnes, Paris, with the 1973 authentication inkstamp verso, on Japan paper, with wide margins, sheet 568 x 382mm (22 3/8 x 15in)

Salvador Dalí (1904-1989)Le Cerf Malade, from Le Bestiaire de La Fontaine Dalinisé (Field 74-1F; M&L 659)Engraving with drypoint and pochoir printed in colours, 1974, signed in pencil, numbered from the edition of 250, printed by Ateliers Rigal, published by Mouret, Paris, on Arches paper, with full margins, sheet 758 x 568mm (29 7/8 x 22 3/8in)With the Dali Trade authentication inscription and signature in pencil verso (dated 3/19/24)

Alfred Charles Stanley Anderson CBE RA (1884-1966) - 'A Study', drypoint etching, signed and titled below in pencil, plate dimensions: 20 x 25 cm, mounted, glazed and framed

Alfred Charles Stanley Anderson CBE RA (1884-1966) - 'A Veteran of the Crimea', drypoint etching, signed and titled below in pencil, 19 x 25 cm, mounted, glazed and framed

Jean Hardy (19th Century) - 'Le Fleur Rouge', drypoint and mezzotint on paper, signed and inscribed in pencil below, with copyright in print, oval plate dimensions: 37 x 46 cm, glazed and framed

Sir Hubert VON HERKOMER (1849-1914) Portrait Of A Girl Drypoint etching Plate size 19cm x 12.cm Signed in margin Together with a Victorian etched invitation to an exhibition of work by the artist, dated 1892 attached to the verso Frame size 38cm x 28cm Shipping is available from £25.22 to a UK Mainland address.This work is glazed using ArtGlass.

William Lee HANKEY (1869-1952) Pierre Drypoint Signed to the margin of the plate Plate size 20cm x 18cm, framed 54cm x 44cm Shipping is available from £32.50 to a UK Mainland address.

Dame Laura Knight (British, 1877-1970) R.A. Charcoal and watercolour, Portrait of Ethel Bartlett. Signed and dated 1924 lower left. 43cm x 32.5cm, framed and glazed.Ethel Bartlett (1877-1970) - the aunt of the vendor - was regarded as one of England's most beautiful women at the time and was a favourite portrait subject for Laura Knight and her husband Harold Knight, who portrayed her many times over a period of 20 years. She was one half of the classical piano duo Bartlett and RobertsonLaura Knight, née Johnson, was one of Britain's most highly regarded artists in the first half of the 20th century; a figurative artist who worked in oils, watercolours, etching, engraving and drypoint in the realist tradition. She was made a Dame in 1929, and was the first woman to be elected a Royal Academician in 1936 after the original female members Angelica Kauffmann and Mary Moser. She moved with her husband Harold Knight to Cornwall where they became prominent members of the Newlyn School of plein-air artists, whilst her subject matter later embraced the world of theatre and ballet, marginalised communities and individuals, including Romani people, boxers and circus performers. She also worked as a war artist during the Second World War. In particular, her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. Condition Report: This comes direct from the family .See Ethel Bartlett (1896-1978) at the Atkinson Art Galleries Collection also available on ART UK image reproduced with permission of the estate of Dame Laura Knight DBE, RA....

Herbert W Simpson (British c1875-1958): Aircraft Mechanic fixing a Propeller, drypoint etching unsigned, inscribed verso 15cm x 10cm (unframed)

Rowland Langmaid (British 1897-1956): 'The Dreadnaughts' and 'The 1935 Coronation Review', pair academy proof drypoint etching signed in pencil with blindstamp 19cm x 36cm (2) (unframed)

Detmold (Edward Julius) Two working proof impressions, and two published state impressions of 'Peacocks', etchings and drypoint, all four signed in pencil, on various thin papers printing with plate tone, platemarks approx. 320 x 410 mm (12 1/2 x 16 1/8 in), good margins, some handling creases, unframed, [1920s] (4)

Detmold (Edward Julius) Four published impressions of 'Rhinoceros, Elephant, and Crane in Jungle vegetation', etchings and drypoint, one inscribed 'early state', all signed in pencil, printing with different degrees of plate tone, on various thin papers, platemarks approx. 300 x 215 mm (11 3/4 x 8 1/2 in), good margins, one taped onto support, all unframed, [circa 1900-1920] (4)

Detmold (Edward Julius) Four variant working proof impressions of 'Horse',  etchings and drypoint, printing with different degrees of plate tone and developments of landscape and windmill, inscribed in pencil, three unsigned, although one with red ink stamp of Detmold's initials, one signed in pencil and inscribed 'final state', on various thin papers, platemarks approx. 195 x 310 mm (7 3/4 x 12 1/4 in), small margins, each taped onto a single mount, unframed, 1924 (4)

MORTIMER LUDDINGTON MENPES (Australian 1855-1938) Two unframed drypoint etchings printed in coloured ink on paper - 'St Peters, Rome'. Pencil signed bottom right. Plate size 21.5cm x 32.8cm, plus 'A Courtyard at Seville', plate size 27cm x 19.5cm (2)

MORTIMER LUDDINGTON MENPES (Australian 1855-1938) 'At Delhi' - drypoint etching. Pencil signed bottom right. Plate size 27.7cm x 23.4cm. Modern frame and glazed.

Alfred-Louis Brunet-Debaines (1845-1939), drypoint etching, dated '66, 32x23.5cm; together with a further etching of cattle at water

"What About a Walkie?" signed, numbered 49/150 and inscribed in pencil, drypoint etching image 15 x 21cm (6in x 8.25in).

Smith (Percy John Delf, British artist-soldier, printmaker, calligrapher and book designer, 1882-1948) drypoint etching proof of an old lady selling fish on market day under an umbrella, signed lower right "Percy Smith" and inscribed "No.4 of 30 proofs" lower left margin framed and glazed 43 x 38 cm 

† HAROLD WYLLIE (1880-1975) RE; four artist's proof drypoint etchings titled 'Building of H.M.S. Agamemnon 64 Guns, at Buckler's Hard 1780. H. Adams Master Shipwright', 'H.M.S. "Agamemnon" 64 Guns, Captain Benjamin Caldwell, Leaving Portsmouth Harbour 1781', 'H.M.S. "Agamemnon" 64 Guns Getting in Lower Masts Alongside the Sheer Hulk at Portsmouth 1781' and 'Launch of H.M.S. "Agamemnon" 64 Guns, at Buckler's Hard 1781', each signed lower left, 21.1 x 31.4cm, framed and glazed (4).Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

WILLIAM LIONEL WYLLIE RA (1851-1931); a drypoint etching 'Entrance of The Mersey', titled to the lower right margin, 12 x 27.8cm, framed and glazed.Condition Report: signed in the plate only and titled in pencil in marginFrom the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.

Quantity of modern animal prints and pictures, including Peter Barker, Jacob Lamb, pastel; Joy Barry, Dive Dive Dive, oil on canvas, 30x40cm; Martin Simonds, Leveret, drypoint etching, etc.Qty: 11

Marc Chagall(1887 Witebsk - 1985 Saint-Paul-de-Vence)"Die Liebenden". OriginaltitelRadierung mit Kaltnadel/chamoisfarbenes feines Bütten, 1922. Sign. und num. 63/110. Verso Berliner Zollstempel "Abt. Niederlage No. 3.". Supplementblatt zur Folge "Mein Leben", erschienen 1923 bei Paul Cassier in Berlin. Eines von 84 Exemplaren auf Bütten. Die Folge "Mein Leben" zählt zu den ersten druckgrafischen Arbeiten Chagalls. Wvz. Kornfeld 25 c. Plattenmaß 27,8 cm x 21,8 cm. Blatt 45,5 cm x 35,1 cm. Wechselrahmen. Drypoint on laid paper. Hand-signed and numbered 63/110. An old customs office stamp of Berlin on the reverse. From the portfolio "Mein Leben" published by Paul Cassirer, Berlin 1922-1923.

Salvador Dalí(1904 Figueras - 1989 ebenda)"L'alchemiste" (Der Alchemist). OriginaltitelKaltnadelradierung und Farbaquatinta mit Pochoir-Kolorierung/Arches-Velin, 1973-1975. Sign. u. nummeriert 3/250. Im Druck sign. u. dat. 1975. Arches-Wasserzeichen (vor 1980). Wvz. Michler/Löpsinger 581g. Plattenmaß 52 cm x 42 cm; Plattenmaß 52 cm x 42 cm; Blatt 76 cm x 57 cm. Drypoint and aquatint in colours with stencil hand-coloring on arches wove paper, 1973-1975. Hand-signed and numbered 3/250. Further signed and dated 1975 on the print. Watermark (before 1980). Full margins.

Per Kirkeby(1938 Kopenhagen - 2018 ebenda)Ohne TitelKaltnadelradierung/Velin, 1995. Monogr., dat. und nummeriert 2/7. Aus einer Serie von acht Arbeiten. Verso Etikett der Galerie Meyer-Ellinger, Frankfurt a. M.; Platte 59,5 cm x 79 cm. Blatt 77 cm x 96 cm. Rahmen. Drypoint etching on wove paper, 1995. Monogrammed, dated and numbered 2/7. From a series of eight artworks.

Sir Frank Brangwyn (British 1867-1956) "Pelago" drypoint etching, the margin signed in pencil, 34.5cm x 39.5cm

Pablo Ruiz Picasso (Malaga, 1881 - Mougins, 1973)"Le repas frugal"Year 1904.Etching and drypoint engraving on Japan paper.45,1 x 37 cm.Our work is a rarity, as there are very few copies of this print published on Japan paper.It is one of Picasso's most important engravings, belonging to the Blue Period (1901-1904), in which the master depicted the outcasts of society and the bohemian districts of Spain and Montmartre, where he lived at the beginning of the 20th century.Picasso's budget in those years was limited, so, as he had done on other occasions, he reused an engraving plate, in this case from the painter Joan González, Julio González's brother. The remains of the earlier etching can be seen in the vegetation in the background, in the upper right of the print.Ambroise Vollard, Picasso's dealer at the time, bought the plate of "Le repas frugal" and, together with 11 drypoints and two additional etchings created by Pablo Picasso between 1904 and 1906, he published the set as an edition in 1913, titling it the "Suite des Saltimbanques". The margins are missing and there are minor restorations.This engraving has a current export license from the Spanish Ministry of Culture.Bibliographic reference:- Bloch 1, Geiser 2

Rudolf Hirschenhauser (Austrian 1882-1938): Portrait of a Girl with a Flower Crown, drypoint etching signed in pencil 15cm x 15cm