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A WILLIAM III/QUEEN-ANNE WALNUT AND FLORAL MARQUETRY EIGHT-DAY LONGCASE CLOCK JOSEPH WINDMILLS LONDON, CIRCA 1700-05 The six finned and latched inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square gilt brass dial with subsidiary seconds, ringed winding holes and conforming calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword-hilt half hour markers and signed J. Windmills, London to lower margin, the angles applied with twin cherub and crown spandrels with foliate scroll engraved infill to the plate between, the case decorated with floral and foliate marquetry and with caddy top over glazed hood door with turned columns flanking the aperture, with concave throat moulding and trunk door centred with a lenticle and decorated with three-shaped panels incorporating central bird amid flowers, on conforming plinth base with decorated shallow skirt. 232cm high excluding later finials, 49cm wide, 26.5cm deep Provenance: Acquired August 1919, 'A fine Wm & Mary long case clock with bird & flower marquetry panels'The life and work of Joseph Windmills and his successors is comprehensively documented in Neale, J.A. Joseph and Thomas Windmills Clock and Watch Makers 1671-1737. Joseph joined the Clockmakers' Company as a free Brother on 29th September 1671 - the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. He initially worked from Blow Bladder Street in St. Martins le Grand, London before moving to premises at 'Swan Court, Mark Lane End, next Tower Street' by April 1674 where the business remained. Joseph took his son, Thomas, as an apprentice who, after gaining his freedom in 1696, is thought to have immediately gone into business with his father; shortly after 1700 the firm became a partnership which lasted until Joseph's death in 1724. As a contemporary of Knibb, Quare and Tompion, Joseph Windmills would have had to compete with some of the finest clockmakers that have ever lived during a period of heightened scientific enlightenment. In this environment Windmills excelled, producing clocks of a quality that equalled many of his more famous peers. Condition Report: The movement is in working condition however is due for a gentle clean/service as lubrication is somewhat dry/gummy and the plates are a little tarnished with some oil staining. The escape wheel and arbor are 19th century 'service' replacements otherwise movement appears essentially all original with no visible evidence of alteration or noticeable replacements. The centre movement pillar is not fitted with a latch all other latches are present. The dial plate retains old yellow lacquer surface which has mellowed/discoloured; it is a little dirty with a few spots of oxidation, the silvering is fairly heavily oxidised; the calendar ring is operational. The hands are replacements of incorrect design and size (with respect to the hour hand). The spandrels appear original and retain good strong gilding.The movement and dial retain the original seatboard which rests at the correct level within the case with no evidence of alteration confirming that the movement and dial are original to the case. The movement backplate has spare holes from a previous securing bracket which is no longer present - there are corresponding holes to the case backboard. The case has generally survived in original 'untouched' condition, The top board to the caddy superstructure, finials and blocks are 19th century replacements; and the 'box' beneath the caddy would have been faced with scroll-pierced fretwork which has bee substituted for a piece of dark veneer. The cornice frieze would have originally also been faced with fretwork - this has been replaced by a section of marquetry veneer which appears Dutch and most likely 'salvaged' from a piece of furniture. The hood door is in good condition; the hinges are unusual being externally mounted (to the right-hand side) however they appear original. The wooden column caps and bases conform with other known examples by Windmills; the lower right front is loose and also appears to be a later turning that the others. The crossgrain chin moulding to the left-hand side is missing a section around 6 ins in length. The rear of the caddy is open and was most likely originally closed with thick paper pasted over the aperture. The throat moulding has a small veneer chip to the rear left-hand edge and a small loss to the leading upper edge of the marquetry at the front otherwise are in good condition. The trunk door is straight with some slight springing to the edge moulding to top left-hand corner and some small localised losses to the marquetry (corresponding to slight movement in the carcass board clamp) towards the lower edge. The lock and hinges appear original and undisturbed. The sides of the trunk are in good condition - the left-hand side has a small veneer chip to the rear edge and evidence of some light historic worm infestation (long gone!). The right-hand side has some 'rubbing through' of the crossbanded veneer towards the front leading edge at the level of the lower door hinge. The plinth base is original and undisturbed retaining marquetry veneers in good original condition having only slight losses to the upper left-hand edge and towards the centre. The side veneers have horizontal shrinkage cracking (but are stable) and some historic worm damage. Unusually the clock retains its original skirting faced in marquetry. The design of the marquetry suggests that the skirt may have originally been taller, there are also veneer losses to the sides and some historic worm damage. Faults to the case are otherwise limited to minor bumps, scuffs, bruises and wear commensurate with age and use. The surface/colour is particularly good and untouched with the marquetry having raised 'glue' texture around the various elements indicating that the finish is old. The backboard retains all of its origiginal height continuing all the way to the lower edge of the base.Clock is complete with pendulum, original brass-cased weights, door key and a winder. Condition Report Disclaimer

A REGENCY BRASS AND EBONY-MOUNTED MAHOGANY BRACKET CLOCK THE DIAL SIGNED FOR JAMES WILSHIRE, LONDON, EARLY 19TH CENTURY The eight-day five pillar twin fusee bell striking movement with anchor escapement regulated by heavy disc-bob half-seconds pendulum, the backplate engraved with oval floral reserve within conforming borders, the 7 inch circular cream painted Roman numeral dial inscribed JA'S WILSHIRE, LONDON to centre and with strike/silent selection lever set behind a convex-glazed cast brass bezel, the break-arch case with carrying handle and single brass-edged pad to top and recessed brass-bordered panel beneath the dial, the sides with brass grille sound frets, on brass ball feet 41cm high with handle down, 25cm wide, 16.5cm deep Condition Report: Movement appears to be fundamentally original with no visible evidence of alteration or notable replacements (although the mechanism has not been removed from the case for detailed inspection). It will run and strike however the strike is slow/lazy indication that a gentle clean/service is required. The dial has overall flaking/losses to the finish as well as evidence of historic retouching/overpainting. The case is generally in very good original condition with faults limited to a small veneer repair (section of original veneer re-stuck) to the arch of the left hand side fret surround otherwise there are only a few minor bumps, scuffs and some light shrinkage cracking.Clock is complete with pendulum, case key and a winder. Condition Report Disclaimer

Dunhill brass repeater carriage clock having engine-turned face surrounding a white enamel dial, plain case, striking movement, on bracket feet, 17cm high, made in France and marked 'L'Epee', with box 

James Stewart Armagh Three Weight Walnut Cased Longcase Clock, hood with arched top and door, reeded columns, trunk with a crossbanded door, crossbanded base on bracket feet, brass dial, with silver chapter ring, Roman numerals, minute aperture.

An early 20th century mahogany bracket clock - Beaver of Manchester, the case with fish-scale panels and raised on ball feet, brass dial set out in Arabic numerals, 40cm high

A William IV mahogany bracket clock - the case carved with flowers and foliage and chamfered corners, the cream painted dial set out with Roman numerals fitted to a twin train fusee movement, 35cm x 18cm x 48cm.

A good Georgian mahogany bracket clock by Flockhart, King Street, Covent Garden, London, with cream dial, eight day movement and strike action, 37 x 24cm

Mahogany and brass mounted bracket clock with silvered dial and Arabic numerals, case is 35cm high excluding finial

Georgian Barwise of London Bracket clock in Slate Case with Brass movement and roman numeral dial. Complete with Key. 36cm in Height

An early 20th century German bracket clock, the mahogany case with gadrooned caddy top above a arched and bevel glazed bezel, on bracket supports, silvered dial with Arabic chapter ring, inscribed 'G.W. Wilson' (retailers) and subsidiary dials fast / slow and silent / strike, eight day Westminster chiming movement striking on a series of coils, stamped Junghans B32. H40cm. 

A 19th century mahogany cased 30 hour longcase clock, with broken swan neck pediment and central urn finial, the arch painted dial with subsidiary calendar signed Stevenson Nottingham, square hood door with freestanding pilasters, trunk with reeded quarter columns above long trunk door, plinth with a raised panel and applied skirting on bracket feet, with pendulum and weight.211cm tall.

An early 20th century brass case 8 day carriage clock, the movement striking on gong, raised on a bracket feet, with traveling case and key.14cm tall.

An early 20th century mahogany mantel clock with eight day movement striking on two gongs, the backplate stamped 'W&H Sch' (Winterhalder & Hofmeier), the silvered rectangular dial with subsidiary pendulum regulation and chime/silent indicators above a chapter ring with black Roman hour numerals, the case with bevelled glass panels, moulded base and bracket feet, height 26cm, with pendulum.

A late 19th century French brass cased carriage clock by Maurice & Co, with eight day movement striking and repeating on a gong, the backplate stamped 'E.M & Co' maker's mark, the enamelled chapter ring with black Roman hour numerals within a silvered surround, the glazed case with swing handle, on a stepped base and bracket feet, height 16.8cm with key.

A George III mahogany longcase clock case, the hood with moulded pediment above glazed door and spiral reeded columns, the sides with pierced oval fret panels, the rectangular trunk door with inlaid urn filled oval panel, on a plain base and bracket feet, height 213cm, together with a Continental painted longcase clock case, height 195cm.

A late 19th/early 20th century French brass cased carriage clock with eight day movement striking on a gong, the backplate stamped 'Patent SJ Rety Poller', the white enamelled dial with black Roman hour numerals, the corniche case with swing handle and bevelled glass panels, on bracket feet, height 17cm, with winding key.

A late 19th/early 20th century lacquered brass carriage clock, the eight day movement striking hours and half hours and repeating on a gong, the circular white enamelled dial with black Arabic hour numerals, within an engine turned gilt surround, the glazed case with swing handle and bracket feet, height 18.5cm, with winding key.

A late 20th century French lacquered brass corniche cased carriage alarm clock by L'Epée, the eight day movement striking hours, half hours and repeating on a gong, the backplate with stamped maker's mark, the white enamelled dial with black Roman hours, outer Arabic minutes and subsidiary alarm dial and detailed 'Angelus', the glazed case with swing handle and bracket feet, height 17.2cm.

A late 20th century French lacquered brass corniche cased carriage alarm clock by L'Epée, with eight day movement striking and repeating on a gong, the backplate with stamped maker's mark, the signed enamelled dial with black Roman hour numerals and subsidiary alarm dial, the glazed case with swing handle and bracket feet, height 17.2cm, with a key.

A 20th century lacquered brass corniche cased carriage clock with eight day movement striking and repeating on a gong, the white enamelled dial with black Roman hour numerals and detailed 'Mappin Brothers 220 Regent St', the case with bevelled glass panels and swing handle, on bracket feet, height 17cm, together with two other brass cased carriage timepieces, heights 14.4cm and 15.4cm.

A Regency Egyptianesque brass inlaid mahogany and ebonized bracket clock, the eight day twin fusee movement striking hours on a bell and the quarters on two smaller bells, the backplate with engraved border, the 6-inch silvered circular dial with strike/silent lever above subsidiary seconds and Roman hour numerals and inscribed 'Alexr Purvis North Audley St. London', the drum case with gilt brass urn finial above carved leaf scroll supports, on a rectangular inverted breakfront plinth base with glazed lenticle, flanked by a pair of tapered columns with anthemion surmounts, height 44cm, with pendulum (missing small section of moulding). Note: Alexander Purvis is a recorded London clockmaker working from his North Audley Street, Grosvenor Square premises circa 1810-1845.

A late 19th century French lacquered brass corniche cased carriage alarm clock by E.G. Lamaille, the eight day movement striking and repeating on a gong, the backplate with stamped 'E.G.L' maker's mark, the white enamelled dial with black Roman hour numerals and subsidiary alarm dial, the glazed case with swing handle and bracket feet, height 17.5cm (parts of case loose).

A George III mahogany bracket clock, the eight day twin fusee five pillar movement striking hours on a bell with pull repeat mechanism, the backplate engraved with flower basket and foliate scroll decoration, the 7-inch brass breakarch dial with silvered strike/silent indicator to arch above a silvered chapter ring with black Roman hour numerals and outer Arabic minutes, framing a matt gilt centre with silvered date aperture and recessed panel, inscribed 'Josh Martineau St. Martins Court', all cornered with cast and pierced gilt scroll spandrels, the case with brass carry handle and double pad top above a moulded arch pediment, glazed front and back doors and glazed side panels, on a moulded rectangular plinth base, height 41.5cm, with pendulum, winding key and case key. Note: Joseph Martineau is a recorded London clockmaker working between 1744 and 1794, firstly at Orange Street premises and then later in St. Martin's Court.

An early 20th century mahogany balloon cased mantel clock with eight day movement striking on two gongs, the backplate stamped 'W & H sch' (Winterhalder & Hofmeier), the 8-inch silvered circular dial with black Roman hour numerals, the case with glazed lenticle and bracket feet, height 41cm, with pendulum and key.

A late 20th century Garrard of London lacquered brass corniche cased carriage clock with eight day movement striking hours and half hours on a bell, the white enamelled dial signed 'Garrard London Made in England', the case with bevelled glass panels and swing handle, on bracket feet, height 18cm.

A late 19th century French brass corniche cased carriage clock with eight day movement striking on a gong, the white enamelled dial with black Roman hour numerals and outer Arabic minutes, the glazed case with swing handle and bracket feet, the front with presentation inscription, height 16.4cm, with travel case and key.

A George III mahogany longcase clock with eight day movement striking on a bell, the 12-inch brass breakarch dial with silvered boss to arch, inscribed 'John Day Wakefield', above a silvered chapter ring and centre with subsidiary seconds and date aperture, within a later brass surround, the hood with swan neck pediment above a shaped trunk door, on bracket feet, height 230cm (alterations and faults), with pendulum, two weights and winder.

An early 20th century oak mantel clock with eight day movement striking on a gong, the white enamelled dial with black Arabic hour numerals, the arched case with turned columns on brass bracket feet, height 34cm, with pendulum, together with a late 19th century French spelter and alabaster mantel timepiece, height 30cm, with giltwood stand, a walnut cased mantel timepiece, height 18.8cm, a gilt metal and tortoiseshell mounted mantel timepiece, height 19.5cm, and an ebonized and walnut cased mantel holosteric barometer, the silvered dial with arched mercury thermometer tube, height 22.5cm.

Ellicott & Company, Royal Exchange, London, a Regency mahogany bracket clock, arched case with brass swing handle, 20cm convex white enamel dial with Roman numerals, concealed brass seconds dial and strike/silent lever, the front door and sides with brass fretwork sound grilles, double fusee movement striking on a bell, the backplate signed 'Ellicott & Co, London', raised on brass bracket feet, 48cm high, 32cm wide, 21cm deep, (pendulum and rear door key)

Cliff of Hull, a George III flame mahogany and inlaid longcase clock, arched caddy top with brass urn finials, brass dial with name in the arch, silvered chapter ring with Roman numerals, subsidiary date and seconds dials, scroll spandrels, serpentine strung trunk door, bracket feet, 227cm high, (two weights, winding key, door key and pendulum). Note: Ivory Exemption Certificate No.T38CJ6TY.

Atelier H. Sandox Perrin, Chaux-de-Fonds, a large French balloon-shaped boulle work bracket clock, of Louis XV design, 19th Century, cast brass Rococo mounts, winged bearded classical figure holding a scythe, brass dial with inset Roman enamel numerals and seconds markers, raised on scroll feet, the backplate signed, chiming movement, 90cm high, with the associated ogee-shaped wall bracket (pendulum) (2)

John Clark, London, a George II ebonised bracket clock, caddy top with a brass swing handle, arched brass dial with a subsidiary date dial in the arch, scroll and mask spandrels, silvered principal chapter ring with Roman numerals and pendulum aperture, oval plaque signed 'John Clark, London', double fusee movement striking on a bell, bright-cut engraved scrollwork backplate, side sound grilles, bracket feet, 47cm high, 28cm wide, 18cm deep, (pendulum)

An Arts and Crafts copper and enamelled bracket clock, in the style of CFA Voysey, rivetted cuboid form, repousse embossed with planished chapter ring of Arabic numerals above a stylised tulip and knotted tendril plaque with heart shaped cabouchon in blue green enamel, shallow domed wide pediment above, 35cm high, 25.5cm wide (key)

A Victorian ebonised dome-top bracket clock in Georgian style, with gilt-bronze mounts, 8-day brass movement striking on 2 gongs

A 19th century mahogany-cased 8-day bracket clock, by Peter Amyot of Norwich, the caddy top case having a brass carrying handle with pineapple finials, engraved silvered arch-top dial with calendar aperture and strike silent dial, resting on brass bracket feet, engraved brass movement and back plate with original verge double fusee movement and bob pendulum, height excluding handle 62cm, pediment width 34.5cm, provenance: from local deceased estate

An early 19th century bracket clock by George Sharp having a silvered dial with Roman numerals and a mahogany case 34cm wide 18cm deep 45cm high.

A late Victorian/Edwardian mahogany bracket clock, the white painted convex Roman dial signed Dent, to the Queen, 33 Cockspur St, London. The twin train chain fusee movement with shouldered plates, signed and numbered CV306 and coiled gong strike. The break arch single pad top case with brass handle, fish scale side frets upon ogee bracket feet, 15 1/4" high

A lantern clock, 6 silvered chapter ring signed Thatcher Cranbrook, with an oak wall bracket and brass cased weight, scroll engraved centre in a case of typical posted form with pierced and engraved frets, 39cm highLead weight and long pendulum, movement with replacements and alterations

A gilt metal mounted ebonised case mantle clock, the waisted case surmounted by a cockerel, the white enamel dial with Roman numerals in blue, signed Payne & Co, 163 New Bond St, London, fitted with a chain fusee movement with conforming bracket, 44cm high excluding bracketDial centre with chips around winding hole, movement will require cleaning, steel rod pendulum, case with crack below door, some wear to gilding on brass mounts, pendulum and key

A George III ebonised and brass mounted table clock by John Holmes, London, late 18th century, the arched top with a heavy brass carry handle, over a moulded edge and a glazed door enclosing a brass dial with Roman numerals to the inner chapter ring and Arabic five minute intervals to the outer, date aperture and subsidiary strike/silent dial above, marked “Holmes London” to the centre, standing on brass ogee bracket feet, with a twin fusee movement striking on a bell, lenticular T-bar pendulum and signed to the backplate43cm high to top of handle

Edwardian mahogany marquetry longcase clock, brass finial, swan neck pediment, corinthian columns, glazed door, bracket feet, 30cm arched brass dial with silvered chapter ring, subsidiary seconds, chime/silent and Whittington/Westminster selectors, eight day movement striking on nine tubular bells, triple weights, engraved presentation plaque, height 251cm.Condition report:This has nine musical bells but is lacking the tenth hour bell which should be hung to the left side of the movement. There is a mounting point and hammer but the tube isn't present. Additional images have been uploadeed to the lot page on our website for you to view.

German walnut bracket clock, 20th Century, domes case with flame finials, corner caryarids and grille sides, scrolled feet, 17cm arched brass dial with slow/fast adjuster to the lunette, the movement striking on five gongs, height 45cm.

George III Robert Ward London Mahogany Case Bracket Clock having a Musical Movement, Engraved Silvered Dial with Jigg, Minuet, Jigg, Air to The Arch Top, 42.5cm high

19th century Toleware mantel clock in chinoiserie decorated case, having white enamel circular dial with Roman numerals and eight-day strike movement, all on bracket feet, 38cm high 

A carved oak eight day bracket clock, with silvered dial signed Curtis and Horspool, Leicester, height 37cm, striking on a gong, with pendulum.

Longcase clock movement with bracket type fitting by G. F. Kemp of Rayleigh

A 17TH CENTURY STYLE BRASS LANTERN CLOCK, four posted case with side doors and side frets, silvered chapter ring, engraved brass dial plate inscribed Jno Holloway of Stroud, dummy alarm disc, height 39.5cm, together with three various weights and an oak wall bracket (5) (Condition Report: areas of rusting beneath the bell and to finger and some of the steel to interior, rope in poor condition in places)

A MODERN ELLIOTT OF LONDON LIMITED EDITION 'THE GOLDEN JUBILEE CLOCK', retailed by Garrard & Co Ltd, in the 17th century bracket clock style, with ornate basket top with carrying handle, ebonised case, gilt dial with silvered chapter ring and name plate, Roman numerals, the signed and engraved 8-day mechanism back plate numbered 'Reg No 75', height to top of handle 34cm, with winding key, certificate and other related paperwork (1 + key and paperwork) (Condition Report: left hand winder over wound, some tarnish to basket top and finials, to tiny chips to fretwork on right hand side)

A MODERN ELLIOTT OF LONDON LACQUERED MANTEL CLOCK WITH CHINOISERIE DECORATION, with carrying handle to the arched top, silvered chapter ring, Roman numerals, engraved centre, eight day movement, striking on a bell, on four brass bracket feet, height to top of handle 25.5cm, with key (1 + key) (Condition Report: winds and runs but chiming several hours ahead, small minor chips / scratches to the case throughout)

Pattison of Halifax - Late 18th century mahogany 8-day longcase clock, With a swans necked pediment and brass patera, recessed break arch hood door beneath flanked by plain turned pilasters with brass capitals, trunk with satinwood inlay, reeded columns and a curved top door with an ivory escutcheon, conforming plinth raised on bracket feet, brass dial with a rolling moon to the arch, cast spandrels , engraved and silvered dial centre and chapter ring, chapter with Roman numerals, five minute Arabic's and minute markers, makers name to the dial centre with seconds and date work, dial pinned to a rack striking movement, striking the hours on a cast bell. With weights and pendulum. John Pattison is recorded as working in Halifax c1783. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 250cm  Length/Width: 56cm  Depth/Diameter: 27cmCondition Report: Ivory Act - Submission reference: GCA8W6PG

An early 20th century walnut bracket clock, the chapter ring showing Roman numerals with brass spandrels, h.31cm

A rosewood bracket clock, early 19th century, French movement, silk suspension

A Mahogany Striking Table Clock, signed Saml Norton, London, circa 1770, inverted bell top case with carrying handle, urn finials, pierced wooden side sound frets, 7-inch arch brass dial with a silvered Roman and Arabic chapter ring, matted dial centre with date aperture and a recessed signed silvered plaque, arch with strike/silent selection dial, twin fusee movement with a verge escapement and striking on a bell, bob pendulum, movement backplate engraved throughout with a pagoda and scroll decoration, movement secured in by two engraved brackets50cm high over handleCase has been cleaned but to a high standard, veneers with good colour, back of the base with veneers slightly lifting, wooden pierced side frets with some parts of the decoration missing which is hard to notice, the four bracket feet are with the clock but need to be placed back onto the base, the bracket feet look to be a later casting. dial and movement are clean, movement in going order and striking.

A Mahogany Striking Bracket Clock, signed Jn Le Parfait, A Paris, 19th Century, nicely figured mahogany veneered case with a flat top pediment, bun shaped feet, 6-1/2-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate signed, silk suspension, 51cm high, with a mahogany wall bracket, 16cm high Case with small dents in parts, case back door panel with chips, dial with small chips in parts, movement with the silk suspension broken, with Pendulum. Wall bracket with small scratches and small cracks to the veneers in parts.

Quality reproduction bracket clock, with four brass bun feet, untested, with key, 24cm tall.

A late 19th century French carved and ebonised wooden clock bracket - probably lime wood, the demi-lune shelf raised on three branch style supports carved with a flowering vine and two birds, chip to back of shelf. (LWH 41 x 25.5 x 35.5 cm)

A modern Rapport mahogany cased German bracket clock, the gilt brass dial with Roman numerals bearing Tempus Fugit above, housing an 8 day Westminster/Whittaker/St. Michael chime movement striking on five gongs.28cm tall.

An early 20th century mahogany bracket clock, having arched architectural case, silvered dial and chapter ring with Roman numerals, subsidiary chime/silent and fast/slow dials, the 8 day movement striking on five gongs, raised on brass bun feet.32cm tall, with key and pendulum.

A 1930s mantel clock, having manual wind movement with gilt circular dial in black lacquered chinoiserie arched case, 14cm tall, together with a late 20th century French bracket style mantel clock, having manual wind movement. (2)

A modern Dutch mahogany case bracket clock, the arched brass dial with silvered chapter ring having Arabic and Roman numerals with moonphase above, housing a German Franz Hermle 8 day movement striking on eight gongs, raised on brass scroll feet, 30cm tall.