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MANOLO VALDÉS (Valencia, 1942)."Matisse as a pretext".Silkscreen on linen. Copy 90/100.Hand signed.
1/5
Description
MANOLO VALDÉS (Valencia, 1942).
"Matisse as a pretext".
Silkscreen on linen. Copy 90/100.
Hand signed.
Size: 148 x 122 cm.
In an interview that the artist gave to the newspaper ABC in 2016, Valdés pointed out his artistic connection with Matisse, and his interest in the interpretation of his work. In addition, this same year he exhibited at the Marlborough Fine Art gallery in London, the show entitled "Recent Work. Paintings and sculptures", a selection of eleven works that paid homage to the artistic oeuvre of Henri Matisse. In fact, when the Valencian painter was interviewed about the exhibition, Valdés replied "I answer his paintings with other paintings". This work is a clear example of Valdés's response to the French artist, rescuing his odalisques and enveloping them in a pop aesthetic.
Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
"Matisse as a pretext".
Silkscreen on linen. Copy 90/100.
Hand signed.
Size: 148 x 122 cm.
In an interview that the artist gave to the newspaper ABC in 2016, Valdés pointed out his artistic connection with Matisse, and his interest in the interpretation of his work. In addition, this same year he exhibited at the Marlborough Fine Art gallery in London, the show entitled "Recent Work. Paintings and sculptures", a selection of eleven works that paid homage to the artistic oeuvre of Henri Matisse. In fact, when the Valencian painter was interviewed about the exhibition, Valdés replied "I answer his paintings with other paintings". This work is a clear example of Valdés's response to the French artist, rescuing his odalisques and enveloping them in a pop aesthetic.
Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
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MANOLO VALDÉS (Valencia, 1942).
"Matisse as a pretext".
Silkscreen on linen. Copy 90/100.
Hand signed.
Size: 148 x 122 cm.
In an interview that the artist gave to the newspaper ABC in 2016, Valdés pointed out his artistic connection with Matisse, and his interest in the interpretation of his work. In addition, this same year he exhibited at the Marlborough Fine Art gallery in London, the show entitled "Recent Work. Paintings and sculptures", a selection of eleven works that paid homage to the artistic oeuvre of Henri Matisse. In fact, when the Valencian painter was interviewed about the exhibition, Valdés replied "I answer his paintings with other paintings". This work is a clear example of Valdés's response to the French artist, rescuing his odalisques and enveloping them in a pop aesthetic.
Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
"Matisse as a pretext".
Silkscreen on linen. Copy 90/100.
Hand signed.
Size: 148 x 122 cm.
In an interview that the artist gave to the newspaper ABC in 2016, Valdés pointed out his artistic connection with Matisse, and his interest in the interpretation of his work. In addition, this same year he exhibited at the Marlborough Fine Art gallery in London, the show entitled "Recent Work. Paintings and sculptures", a selection of eleven works that paid homage to the artistic oeuvre of Henri Matisse. In fact, when the Valencian painter was interviewed about the exhibition, Valdés replied "I answer his paintings with other paintings". This work is a clear example of Valdés's response to the French artist, rescuing his odalisques and enveloping them in a pop aesthetic.
Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
27th September - Contemporary Art
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Carrer de Cirilo Amorós 55, Valencia
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