Lot

17

Eugène Delâtre - Pèche a crevette a marée basse - Morbihan

In OLD MASTER PRINTS XIII

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Eugène Delâtre - Pèche a crevette a marée basse - Morbihan
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Izegem
Eugène Delâtre - Pèche a crevette a marée basse - Morbihan / Description: ARZON (MORBIHAN), 1927. La pêche a crevette a marée basse. It shows a scene on the beach of Arzon in Bretagne/France during the low tide with a fisher for shrimps. Reference: S.L.375. Hand signed and numbered 1/50. Dry point etching. A valuable hand signed and numbered landscape etching by this important artist. / Dimensions: 23,80 x 29,50 cm / Condition: Excellent impression on a laid paper sheet 30 by 36 cm. Condition is very good. It has some remains of old hinges at the top of the backside. / Literature: S.L.375 --- I.F.F. Lacune --- Eugène Delâtre (1864-1939) A prominent early twentieth century French etcher and printer, Eugene Delatre studied art techniques under John Lewis Brown and under his famous father, Auguste Delatre. Auguste Delatre (1822-1907) had established himself as the most sought after printer of fine etchings during the latter nineteenth century. During this period he printed the etched plates of such prominent artists as Meryon, Bracquemond, Whistler, Seymour Haden and many others. Eugene Delatre continued this fine tradition into the twentieth century and printed the plates of Picasso and others. Eugene Delatre first gained international recognition as a creative etcher during the mid 1890's when he contributed plates to such influential publications as "L'Estampe Originale" (1894). Many of these early works were etchings printed in colors and in this decade Delatre, along with such etchers as Jean Francois Raffaelli and Manuel Robbe, led the way in the revival of the color etching. Eugene Delatre was a founding member of the Societe de la gravure en couleurs and a full, exhibiting member of the Societe Nationale des Beaux-Arts. / Medium: /Circa: 1927 350
Eugène Delâtre - Pèche a crevette a marée basse - Morbihan / Description: ARZON (MORBIHAN), 1927. La pêche a crevette a marée basse. It shows a scene on the beach of Arzon in Bretagne/France during the low tide with a fisher for shrimps. Reference: S.L.375. Hand signed and numbered 1/50. Dry point etching. A valuable hand signed and numbered landscape etching by this important artist. / Dimensions: 23,80 x 29,50 cm / Condition: Excellent impression on a laid paper sheet 30 by 36 cm. Condition is very good. It has some remains of old hinges at the top of the backside. / Literature: S.L.375 --- I.F.F. Lacune --- Eugène Delâtre (1864-1939) A prominent early twentieth century French etcher and printer, Eugene Delatre studied art techniques under John Lewis Brown and under his famous father, Auguste Delatre. Auguste Delatre (1822-1907) had established himself as the most sought after printer of fine etchings during the latter nineteenth century. During this period he printed the etched plates of such prominent artists as Meryon, Bracquemond, Whistler, Seymour Haden and many others. Eugene Delatre continued this fine tradition into the twentieth century and printed the plates of Picasso and others. Eugene Delatre first gained international recognition as a creative etcher during the mid 1890's when he contributed plates to such influential publications as "L'Estampe Originale" (1894). Many of these early works were etchings printed in colors and in this decade Delatre, along with such etchers as Jean Francois Raffaelli and Manuel Robbe, led the way in the revival of the color etching. Eugene Delatre was a founding member of the Societe de la gravure en couleurs and a full, exhibiting member of the Societe Nationale des Beaux-Arts. / Medium: /Circa: 1927 350

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Shipping:
Buyer pays shipping costs.
All customs charges, import taxes, other taxes and costs must be paid by the buyer.

We organize all shipping, worldwide at fixed prices:
Europe: 25 €
Outside Europe: 48 €

All Items must be paid in full before they will be shipped.
Items will be send insured. An insurance fee might be added to the invoice.
Claims for lost or broken items during transport are handed over to the insurance policy of the shipper and be reimbursed according to their terms. Old master print cannot be held responsible for any additional compensation for the loss or damage of the item.

The buyer is free to organize his own shipping at his own expense.
The items can only be released after full payment.
If the buyer arranges his own shipment or pick-up, OLD MASTER PRINT can not be held responsible for damage or loss of the goods after a period of two months after the date of the sale.

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Tags: James Abbott Mcneill Whistler, Francis Seymour Haden, Drypoint, 19th-21st Century Art