November General Sale

19th century continental school, an elderly gentleman seated beside a fireplace, smoking a clay pipe, accompanied by a seated terrier, oil on canv...

Early 20th century Dutch school, still life with flowers, oil on canvas, in walnut veneered and gilt cushion frame, 90 x 68 cm

After Pablo Picasso (Spanish, 1881-1973) ‘Nature Morte aux Poissons’ a framed coloured print, labelled verso, 'In the collection of McRoberts and ...

Post war impressionist school, village green in autumn with figure attending chickens below mature trees with distant cottages, oil on canvas, uns...

Francis Kenneth Elwell (1905-1944) 'Gone away (Holderness Hunt)', oil on board, signed and dated 1939 lower left, labelled verso 'This picture is...

Cuthbert Bradley (1861-1943)- 'Gillie Callum', titled to slip Mr C. S. Newton's 'Gillie Callum', ridden by Mr C. N. Newton, Croxton Park, Belvoir,...

Fred Roe (1864-1947) 'A study for Peddlers Pitch', watercolour and gouache, signed and dated in pencil lower right 21 July 1936, later inscribed ...

Two similar Victorian Oxford type tramp art picture frames, each accommodating monochrome prints of Savanna scenes, one with highlighted cross mot...

19th century English school, half length portrait of a gentleman in grey wig with a mustard coloured tunic, in the 18th century style, oil on canv...

Richard Paton, 'The Distressed Situation of The Quebec & The Surveillant', 1780, hand coloured print, 47 x 56 cm, later framed and glazed

Post-war British School, copse in winter, impasto oil on canvas (unsigned) 51 x 58cm

After George Armfield (1808-1893) attributed to Thomas Smyth (1825-1907), terriers ratting in barn interiors, a pair oils on canvas, each with Phi...

Early 20th century British school, marine scene of shipping in choppy waters, titled 'Half a Gale' and initialled A L S 1917 to lower right, oil o...

A Victorian embroidered silk sampler map of England & Wales, the counties defined and initialled, set within trailing floral and foliate embroider...

Early 20th century British school, rugged coastline with gulls and distant shipping, oil on canvas, 36 x 49 cm

Iosif Iser (1881-1958) Sunbathers in a beach scene, watercolour and pen on toned paper, loosely (later) framed, 31 x 49cm.

A. Andrew, ‘H.M. Yacht Enchantress', oil on canvas signed and dated 1907 lower right with applied engraved brass plaque to moulded gilt frame deco...

After John Constable (1776-1837) lakeside cottage scene with woodland and distant figure, oil on panel, 20 x 36 cm, gilt framed, together with a w...

20th century, possibly Finish school, half length portrait of a young boy, pastels, framed and glazed, 50 x 37 cm

Early 20th century British School, autumnal woodland scene, indistinctly signed in pencil lower left, framed and glazed, 17 x 23 cm, together with...

After Constance Wenlock (1853-1902), a stylised estate view with deer before parkland, oil on board, gilt framed, 50 x 72 cm

Two unusual novelty drawings, one a mouse in a sail boat, the other detailing a frog riding a wading bird, pen on silk, later framed and glazed, e...

Late 19th/early 20th century English school, marine scene with shipping before a distant harbour at dusk, unsigned, oil on canvas, 32 x 44 cm

19th century English school, a domestic kitchen interior with a woman cooking over a stove with two children keenly looking on, oil on canvas, ind...

Wilfred Avery (1926-2016) monochrome abstract composition, print, signed and dated 1965 lower right, 21 x 28 cm, framed and glazed

A late 19th century study of a gentleman seated in a library beside a fireplace, watercolour (likely over an original print), 29.5 x 25 cm, framed...

A George IV Welsh cross stich embroidery sampler, completed by Gwen Jones, Penley School, March 25th, 1828, detailing a central church beside flor...

Two early framed indentures, to include a Charles II example relating to Staffordshire, 25 x 15 cm together with an 18th century example dated 23r...

Attributed to John Horder (20th century / contemporary) Capetown landscape, watercolour, loosely framed, unsigned, 27 x 38.

A 20th century stylised continental portrait of a lady in red coat and floral bonnet, signed lower right, oil on canvas (af), 37 x 29 cm in a simp...

Ralph McPhail (20th / 21st century) study of a grouse in flight, watercolour and gouache, signed lower right, 28 x 22 cm, framed and glazed

Follower of Joseph (Giovanni) Schranz (1803-c.1866) - Landscape with tree, bridge and mountain vista in background, watercolour on paper, inscribe...

T. C. Crawford, late, 19th century, British school, horses in field with distant figures and cottage before hills, oil on canvas, 39 x 60cm.

Bernard Dufour (French, 1922-2016) study of a seated young lady seated on stone steps, watercolour and mixed media, 45 x 36 cm, framed and glazed,...

Berrisford-Hill, (B. 1930) 'Ptarmigan amongst the rocks', watercolour, signed lower right, labelled verso with Cider Mill gallery label dated Oct...

William Walcot (1874-1943) bustling London street scene with St Paul's Cathedral in distance, watercolour and pencil, signed lower right, labelled...

After Picasso (Spanish, 1881-1973), pencil sketch, full length portrait of a young lady, dated 17.4.59 and numbered IV, pencil on paper, 23 x 19 c...

A M Dyson, 'Wotton-under-Edge', the war memorial beside St Mary's church, signed, titled and numbered in pencil, 19,/250, 23 x 15 cm

William Towers British, (b.1935), British post war Folk art embroidered panel depicting the baptism of Jesus Christ by John The Baptist, initialle...

19th century English school, autumnal scene with sheep being fed from the back of a horse drawn cart before distant trees, watercolour, initialled...

A William IV English cross stitch embroidered sampler detailing a cathedral and scripted panel Ann Jones, 'her work, 1836', 30 x 33 cm

Late 19th/early 20th c English school, still life with apples, walnuts, glasses filled with cider and a salt glazed cider flagon marked 'The Squir...

A George III English cross stitch embroidered sampler decorated with a church facade and scripted Solomon's Temple, Sarah Davis, June 9, 1818, 'Bl...

Nguyên Van Cuòng ( Vietnamese, b. 1976) half length portrait of a figure in mediative pose holding hands together, signed and dated '98 (1998) low...

Austin Smith (British, late 19th/early 20th century) shipping scene on turbulent seas, signed and dated 1914 lower left, watercolour, also attrib...

20th century Dutch school, still life with flowers and fruit, unsigned, oil on canvas, 660 x 550 cm

Jane Lampard (local Gloucestershire artist, contemporary) 'Sarah’s Hens', watercolour, 19 x 25 cm, framed and glazed

Margaret Tatton, (British post war) still life of Primula, oil on board, signed lower right, 40 x 49 cm

An English Victorian cross stitched embroidered sampler panel detailing a palace facade with scripted panel 'Christian Communion desire, dated 184...

A hand coloured 18th century map by Samuel Dunn - a map of independent Tartary, containing the countries of the Kalmuks & Uzbeks with the Tibet pu...

19th century continental school, comical scene of domestic dentistry, four figures in an interior setting depicting the opportune theft from an u...

John Speed, a hand coloured map of Gloucestershire, 38 x 53 cm

After Sir William Russell Flint, three watercolour studies, each detailing young ladies, each initialled, the largest measuring 34 x 49 cm, each f...

Early 20th century Dutch school, full length portrait studies of seated young ladies, charcoal, pastel and gouache on paper, each framed and glaze...

W.B. Dunford, 19th century, an associated pair of woodland and lakeside views, oils on board, each measuring 23 x 30 cm, each in moulded gilt fram...

A small 19th century landscape detailing a figure on horseback crossing a bridge, figures in a punt before distant castle with ancient oak tree to...

John Palmer, contemporary / 20th century, a woodland pathway with dappled light, oil on canvas, signed lower left, 60 x 44 cm together with a smal...

A hand coloured map of Somerset by Robert Morden 38 x 43 cm, framed and glazed, together with a 19th century sketch detailing a view of Bath, penc...

After Thomas Jones Barker, Wellington at Waterloo, 73 x 120 cm, in moulded gilt frame

Of Welsh interest - The Legend of 'Llandogo' a narrative watercolour with scripted border, 40 x 28 cm, framed and glazed